Alternatives to crowded cities, cardboard boxes and a legendary Australian featured in some of the most moving travel campaigns.
Some of the biggest hits in transport and tourism were more about mobility than travel. Take the wonderful “Boxes” spot for Uber from Forsman & Bodernfors, which was all about unlocking traffic-clogged cities. Similar yet entirely different was Jung Von Matt’s genius idea of turning an Adidas sports shoe into an annual ticket, to persuade young people to take the subway. McCann New York scored big with an album featuring a selection of love songs that overturned gender clichés – all to promote MGM Resorts in Las Vegas, the marriage capital of the U.S. For Australia, Droga 5 created a mock trailer for a film featuring Crocodile Dundee’s hapless son. Elsewhere, a surf photographer abandoned the beaches of paradise for the storm-battered Lofoten archipelago in Norway, where he found a different kind of nirvana.
Some of the biggest hits in transport and tourism were more about mobility than travel. Take the wonderful “Boxes” spot for Uber from Forsman & Bodernfors, which was all about unlocking traffic-clogged cities. Similar yet entirely different was Jung Von Matt’s genius idea of turning an Adidas sports shoe into an annual ticket, to persuade young people to take the subway. McCann New York scored big with an album featuring a selection of love songs that overturned gender clichés – all to promote MGM Resorts in Las Vegas, the marriage capital of the U.S. For Australia, Droga 5 created a mock trailer for a film featuring Crocodile Dundee’s hapless son. Elsewhere, a surf photographer abandoned the beaches of paradise for the storm-battered Lofoten archipelago in Norway, where he found a different kind of nirvana.
Most awarded
campaigns, brands &
agencies in
Transport & Tourism in
2018
Most awarded
campaigns, brands and
agencies in
Transport & Tourism in
2018
CAMPAIGNS
BRANDS
Brand |
---|
AGENCIES
Name | ||
---|---|---|
1 | McCann New York | |
2 | Dentsu Inc., Tokyo | |
3 | Droga5, New York | |
4 | TBWA\Hunt\Lascaris Johannesburg | |
5 | Forsman & Bodenfors Göteborg |
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1. Berliner Verkehrsbetriebe (BVG) / The ticket-shoe
Titel | The ticket-shoe |
Agentur | Jung von Matt AG |
Kampagne | The ticket-shoe |
Werbende | Berliner Verkehrsbetriebe (BVG) |
Marke | Berliner Verkehrsbetriebe (BVG) |
Datum der ersten Ausstrahlung/Veröffentlichung | 2017 |
Geschäftsbereich | Transport, Reise & Tourismus |
Medientyp | Interaktiv |
Länge | |
Produktionsfirma | VIRUS / Markenfilm Crossing GmbH |
Direktor Kreation | Dörte Spengler-Ahrens |
Creative Director | Marielle Wilsdorf |
Creative Director | Eva Stetefeld |
Etatdirektor | Annette Krebs |
Titel | Universal Love |
Agentur | McCann New York |
Kampagne | Universal Love |
Werbende | MGM Resorts International |
Marke | MGM Resorts |
Datum der ersten Ausstrahlung/Veröffentlichung | 2018 / 4 |
Geschäftsbereich | Hotels, Unterkunft |
Story | Las Vegas is the “wedding capital of the world,” but not necessarily for LGTBTQ couples. As the largest hotel brand in Vegas, and one with a long history of support for the LGBTQ community, MGM Resorts was on a mission to spread a message of inclusion, showing that Vegas was truly welcoming to all.;Throughout the history of music, love songs have almost solely celebrated heterosexual love. These well-known songs don’t reflect the changing definitions of love and marriage, making them harder for same-sex couples to fully embrace and relate to. As a result, these couples had few choices when it came to wedding songs that represent their relationship. As a popular destination for weddings, we realized MGM could help change that.;We decided to harness the power of music to bring a message of inclusivity to the world in the most entertaining way possible. |
Medientyp | Case Study |
Länge | |
Regisseur | Lagan Sebert |
Executive Producer | Sandra Sampayo |
Executive Producer | Brandon Bloch |
Casting | Jenny O |
Redaktionsbüro | Chris Franklin |
Kolorierung | Chris Ryan |
Ton | Rob Fielack |
Tusk Music Production | Rob Kaplan |
Executive Producer | Aaron Mercer |
3. MGM Resorts / Universal Love Songs
Titel | Universal Love Songs |
Brief | MGM Resorts were hosting same-sex weddings years before they were made officially legal in the US. Until now, classic love songs have been something that only straight couples can truly “own.” This was a great opportunity to reimagine wedding songs and show that MGM (and Las Vegas in general) is open to everyone. A new album of classic love songs flipped the pronouns to upend norms and challenge traditional ideas of love. Bob Dylan, Kesha and St. Vincent were among those who transformed the songs, creating a new soundtrack that celebrates Universal Love. |
Agentur | McCann New York |
Kampagne | Universal Love |
Werbende | MGM Resorts International |
Marke | MGM Resorts |
Datum der ersten Ausstrahlung/Veröffentlichung | 2018 / 4 |
Geschäftsbereich | Hotels, Unterkunft |
Story | Las Vegas is the “wedding capital of the world,” but not necessarily for LGTBTQ couples. As the largest hotel brand in Vegas, and one with a long history of support for the LGBTQ community, MGM Resorts was on a mission to spread a message of inclusion, showing that Vegas was truly welcoming to all.;Throughout the history of music, love songs have almost solely celebrated heterosexual love. These well-known songs don’t reflect the changing definitions of love and marriage, making them harder for same-sex couples to fully embrace and relate to. As a result, these couples had few choices when it came to wedding songs that represent their relationship. As a popular destination for weddings, we realized MGM could help change that.;We decided to harness the power of music to bring a message of inclusivity to the world in the most entertaining way possible. |
Story (Originalsprache) | MGM Resorts has a long history of hiring and supporting members of the LGBTQ community. In fact, they were hosting same-sex weddings years before it was made officially legal in the United States.We realized that until now, classic love songs have been something that only straight couples can truly “own.” These well know songs don’t reflect LGBTQ relationships, making them harder for those couples to fully embrace and relate to. This was a great opportunity to reimagine wedding songs to show that MGM (and Las Vegas in general) is open to everyone, regardless of sexual orientation.There are countless love songs: songs about true love, lost love, forbidden love, love gone bad and love rekindled. But there aren’t many songs celebrating the love between same-sex couples. As a result, LGBTQ couples had few choices when it came to wedding songs. As a popular destination for weddings, we realized MGM could help change that.We created an album of classic love songs, flipping the pronouns to upend norms and challenge the traditional ideas of love and marriage, sharing a message of inclusivity in the process.We partnered with a group of iconic musicians spanning genres, generations and sexual orientation (Bob Dylan, Kesha, Benjamin Gibbard, St. Vincent, Kele Okereke, and Valerie June) to reimagine traditional love songs, creating a new soundtrack that celebrate Universal Love.Ultimately, we redefined what a love song means in popular entertainment. The impact, like the love it celebrates, was universal |
Medientyp | Case Study |
Länge | |
Regisseur | Lagan Sebert |
Executive Producer | Sandra Sampayo |
Executive Producer | Brandon Bloch |
Casting | Jenny O |
Redaktionsbüro | Chris Franklin |
Kolorierung | Chris Ryan |
Ton | Rob Fielack |
Tusk Music Production | Rob Kaplan |
Executive Producer | Aaron Mercer |
4. MGM Resorts International / Universal Love
Titel | Universal Love |
Agentur | McCann New York |
Kampagne | Universal Love |
Werbende | MGM Resorts International |
Marke | MGM Resorts International |
Posted | April 2019 |
Geschäftsbereich | Transport, Reise & Tourismus |
Medientyp | Internet-Film |
Länge | |
Agency Network | McCann Worldgroup |
Holding Company | Interpublic Group |
CCO North America | Eric Silver |
Co-CCO | Tom Murphy |
Co-CCO | Sean Bryan |
Executive Creative Director | Chris Mitton |
Executive Creative Director | Nir Refuah |
Creative Director | Carlos Wigle |
Creative Director | Scott Cooney |
Creative Director | Benjamin Vendramin |
Creative Director | Jesse Potack |
Leitender Produktionsverantwortlicher | Nathy Aviram |
Executive Producer | Deb Archambault |
Designer | George Katz |
Designer | David Mashburn |
President | Devika Bulchandani |
EVP Executive Account Director | Scot Beck |
Etatdirektor | Tessa Cosenza |
Director of Social and Mobile | Gemma Craven |
Chief Communications Officer | Jeremy Miller |
Chief Experience Marketing Officer | Lili Tomovich |
SVP Marketing Strategy | Kate Wik |
VP Brand Strategy | Nick Parks |
VP of Media | Megan Estrada |
SVP of Public Relations | Jenn Michaels |
Executive Producer | Patrick Milling Smith |
Executive Producer | Rob Kaplan |
Executive Producer | Aaron Mercer |
Website Production | Your Majesty |
Tonproduktion | Abbott Wool |
Tonproduktion | Wool & Tusk |
Image Design | Jakob Trollbäck |
Produktionsfirma | Smuggler |
Public Relations Agency | Sunshine Sachs |
5. Tourism Australia / DUNDEE: The Son Of A Legend Returns Home (Trailer 1)
Titel | DUNDEE: The Son Of A Legend Returns Home (Trailer 1) |
Agentur | Droga5 |
Kampagne | Dundee: The Son of a Legend Returns |
Werbende | Tourism Australia |
Marke | Tourism Australia |
Datum der ersten Ausstrahlung/Veröffentlichung | 2018 / 2 |
Geschäftsbereich | Bestimmungsörter (Länder und Plätze) |
Medientyp | Fernsehen |
Länge | |
Tonstudio | Human |
Kreativvorstand | David Droga |
Creative Director | Chris Colliton |
Creative Director | Kevin Weir |
Stellvertretender Creative Director | Jim Curtis |
Stellvertretender Creative Director | Ryan Fitzgerald |
Designer | Devin Croda |
Designer | Jen Lally |
Associate Experience Design Director | Annie Ha |
Co-Director of Film Production | Jesse Brihn |
Executive Producer | Andrew Slough |
Musik | Mike Ladman |
Director of Business Affairs | Jocelyn Howard |
Business Affairs Manager | Tom Vendittelli |
Talent Manager | Michelle Cramer |
Traffic Manager | Wendy Kaplan |
Co-Director of Interactive Production | Justin Durazzo |
Filmproduzent/Produzent | Alex Smith |
Filmproduzent/Produzent | Aaron Matys |
Director of Art Production | Cliff Lewis |
Filmproduzent/Produzent | Nichole Katsikas |
Associate Director | Riley Clough |
Group Strategy Director | Will Davie |
Group Strategy Director | Head of Digital Design |
Communications Strategy Director | Delphine McKinley |
Communications Strategist | Hillary Fink |
Data Strategist | Janet Kim |
Etatdirektor | Edward Rogers |
Etatdirektor | Marissa Guerra |
Kundenbetreuer | Annie Sherbon |
Associate Account Manager | Jeff Winsper |
Projektmanager | Meredith Nydam |
Projektmanager | Tessa Muchura |
Projektmanager | Marianne Stefanowicz |
PR manager | Danny Hernandez |
Werbeleiter | Tourism Australia |
Geschäftsführer | John O'Sullivan |
Chief Marketing Officer (CMO) | Lisa Ronson |
General Manager | Susan Coghill |
General Manager | Geoff Ikin |
Global Manager | Nick Henderson |
Global Manager | Sarah Gallon |
Projektmanager | Siobhan Petri |
Global Manager | Courtney Barry |
Global Manager | Emma Sturgiss |
Global PR | Nicole Foster |
Advocacy Manager | Nicole Foster |
PR Manager North America | Julie Earle Levine |
General Manager | John MacKenney |
Global Manager | Iris Wagner |
Global Manager | Manjit Gill |
Special Projects Manager | Yvonne Cheng |
International Media Manager | Minta Burn |
Marketing Media Manager | Rochelle Vinson |
General Manager | Leo Seaton |
Produktionsfirma | Revolver |
Produktionsfirma | Will O'Rourke |
Produktionsfirma | Biscuit Filmworks |
Regisseur | Steve Rogers |
Geschäftsführer | Michael Ritchie |
Geschäftsführer | Shawn Lacy |
Executive Producer | Pip Smart |
Executive Producer | Holly Vega |
Filmproduzent/Produzent | Caroline Kruck |
Direktor Fotografie | Russell Boyd |
Kameramann | Anna Howard |
Drone Operator | Tony Driver |
Produktionsdesigner | Chris Kennedy |
Kostüme | Margot Wilson |
Make-Up Artist | Nikki Gooley |
Spezialeffekte | Justin Bromley |
Redaktionsbüro | Exile |
Cutter | Pete Sciberras |
Produktionsfirma | Second Child |
Post-Produktion | Blacksmith |
Kolorierung | Company 3 |
Ton | Heard City |
Digitale Produktion | Active Theory |
Medienagentur | UM Sydney |
Global Business Director | Sophie Bingham |
Global Strategy Director | Chris Colter |
Global Digital Director | Sarina Ballauff |
Global Client Director | Ashleigh Krstanoski |
Global Digital Manager | Anthony Thomas |
PR Consultant | Kovert Creative |
6. Uber / Boxes - Let's Unlock Cities
Titel | Boxes - Let's Unlock Cities |
Agentur | Forsman & Bodenfors Göteborg |
Kampagne | Boxes |
Werbende | Uber |
Marke | Uber |
Datum der ersten Ausstrahlung/Veröffentlichung | 2017 / 11 |
Geschäftsbereich | Öffentliche Verkehrsmittel |
Story | We enter a chaotic city where cars are replaced by cardboard boxes to show how traffic problems could be reduced if individuals didn't insist on driving their own vehicles. Why not turn to ride sharing instead? |
Medientyp | Interaktiv |
Länge | |
Creative Agency | Forsman & Bodenfors Göteborg |
Leiter der Werbeabteilung | Kunal Gupta |
Etatdirektor | Alison Arnold |
Kundenbetreuer | Helen Johansson |
Account Supervisor | Sanna Fagring |
Art Director | John Bergdahl |
Texter | Jacob Nelson |
Texter | Rikke Jacobsen |
PR Strategist | Bjarne Darwall |
Designer | Emelie Lindquist |
Designer | Johan Fredriksson |
Etat-Planer | Tobias Nordström |
Etat-Planer | Leo Bovaller |
Agency Producer | Alexander Blidner |
Regisseur | Adam Berg |
Executive Producer | Johan Lindström |
Filmproduzent/Produzent | Ben Croker |
Produktionsmanager | Kate Wynborne |
Direktor Fotografie | Mattias Rudh |
Assistant Director | Tony Fernandez |
Cutter | Paul Hardcastle |
Spezialeffekte | Swiss |
Post Production Supervisor | Leo Wilk |
Tonstudio | Redpipe |
Produktionsfirma | INDIO |
Activation Strategy | Mano |
Distribution Partner | Oath |
7. Lufthansa / LOFOTEN
Titel | LOFOTEN |
Agentur | Accenture Song (formerly Kolle Rebbe) |
Kampagne | #LifeChangingPlaces |
Werbende | Lufthansa |
Marke | Lufthansa |
Datum der ersten Ausstrahlung/Veröffentlichung | 2017 / 9 |
Geschäftsbereich | Fluglinien, Flughäfen, Bahnreisen, Busreisen, Fähren, Schiffsreisen |
Story | Shot in Lofoten, Norway, "#LifeChangingPlaces” is the first video of a series about people who are deeply affected by the incredible places they visited. Director Vincent Urban and his crew spent nine days on location in the Lofoten Islands capturing the most stunning imagery in bone-chilling conditions. |
Medientyp | Fernsehen |
Länge | |
Post-Produktion | Ralf Erthle |
Produktionsfirma | 27 Kilometer Entertainment GmbH |
Direktor Fotografie | Clemens Krüger |
Regisseur | Vincent Urban |
Creative Director | Christian Kroll |
Cutter | Max Neumeier |
Sounddesigner | Denis Elmaci |
Sounddesigner | Max Neumeier |
8. Graubünden Ferien / Friendly photography ban in bergün
Titel | Friendly photography ban in bergün |
Agentur | Jung von Matt/Limmat Werbeagentur AG |
Kampagne | Friendly photography ban in bergün |
Werbende | Graubünden Ferien |
Marke | Graubünden Ferien |
Datum der ersten Ausstrahlung/Veröffentlichung | 2018 / 6 |
Geschäftsbereich | Bestimmungsörter (Länder und Plätze) |
Medientyp | Internet-Film |
Länge |
9. Gol Linhas Aereas / The neymarless sponsorship
Titel | The neymarless sponsorship |
Agentur | AlmapBBDO |
Kampagne | The neymarless sponsorship |
Werbende | Gol Linhas Aereas |
Marke | Gol Linhas Aereas |
Datum der ersten Ausstrahlung/Veröffentlichung | 2018 / 3 |
Geschäftsbereich | Fluglinien, Flughäfen, Bahnreisen, Busreisen, Fähren, Schiffsreisen |
Medientyp | Integrated Media/360 Activation |
Länge |
10. 15% Velocity Frequent Flyer Bonus / The Billion Point Giveaway
Titel | The Billion Point Giveaway |
Brief | How do you promote frequent flyer points in an entertaining way? Meet Tim, the intern who "accidentally" offered one billion free points to Velocity Frequent Flyer's 7.5 million members. The ensuing drama played out in a 40 episode online series. We see Velocity’s employees go fro denial to: “We’re going to need more planes." Unlike most dramas, where viewers tune in, this series "found" its audiences, remembered their past behaviour and served tailored content directly to them, making each customer journey unique. |
Agentur | CHEP Network |
Kampagne | The Billion Point Giveaway |
Werbende | Velocity Frequent Flyer |
Marke | 15% Velocity Frequent Flyer Bonus |
Posted | November 2017 |
Geschäftsbereich | Fluglinien, Flughäfen, Bahnreisen, Busreisen, Fähren, Schiffsreisen |
Story | The previous four 15% bonus campaigns saw modest transfer increases despite strong media investment, necessitating headline-making creativity to shake the category and reinvigorate member relationships. Meet Tim, the intern who ‘accidentally’ sent an email to some of Velocity Frequent Flyer’s 7.5M members offering a slice of 1 billion (instead of 1 million) Points when they transfer reward points to Velocity. The ensuing dramatised consequences played-out in a 40-part mini-series during May. We follow Velocity’s employees as they go from denial, “what points?”, to realisation “We’re going to need more planes”. The implications of these high value Points flooding the market was contextualised with executions, ‘that’s something like 100,000 upgrades!’. Velocity employees eventually move to acceptance and relief “one week, just one week” - driving urgency in the campaign’s last days. Unlike most dramas - where you tune in - this series found you, knew what you had seen, your past transfer behaviour, and served tailored content to you when you went online, making each customer journey unique. Velocity’s first-party customer database was dissected into nine identifiable cohorts. Lookalike modelling was applied to high-value cohorts and budget directed to cultivate established customer relationships - increasing propensity for high-value conversions. To help target non-transferring members and delivered new-member growth, we built an addressable audience across Facebook-3.4M and DBM-1.2M to predict conversion likelihood and refined owned contact strategies creating bespoke messaging across all channels. Audiences were also targeted holistically with owned and paid media, including display banners, social posts, LinkedIn (where Tim job hunted), and in-airport collateral. Consumers were then driven to a fully-responsive online microsite containing a purpose-built Points calculator. People entered in the amount of points they wanted to transfer, then a ‘result’ told them how big their share of points was and where they could go with them. |
Problem | The core of Velocity Frequent Flyer, the loyalty program of Virgin Australia, is to get people earning Velocity Points.This can be done in a myriad of ways. But the goal is to tap into the ‘everyday spend’ that approximately 7 million Australian’s (roughly 45% of Aussie consumer card holders) put on a credit card that earns some sort of rewards points.Velocity operates an ‘in-direct model’ and must encourage people to move these reward points to Velocity. People then use these points to take a flight with Virgin Australia or partner airlines.To encourage these transfers, Velocity have a bi-annual offer where members receive an additional 15% bonus points when they transfer these reward points to Velocity in May or November. |
Medientyp | Case Study |
Produktionsfirma | Good Oil |
Creative Director | Brian Jefferson |
Texter | Ashley Wilding |
Art Director | Daniel Davison |
Fotograf | Crighton Bone |
Regisseur | Abe Forsythe |
Filmproduzent/Produzent | Sam Long |
Filmproduzent/Produzent | Llew Griffiths |
Agency Producer | Jenny Livingston |
Agency Producer | Natalie Hort |
Agency Producer | Blaise Palmer |
11. Australia / Aussie News Today
Titel | Aussie News Today |
Agentur | Clemenger BBDO Sydney |
Kampagne | There's Nothing Like Australia |
Werbende | Tourism Australia |
Marke | Australia |
Datum der ersten Ausstrahlung/Veröffentlichung | 2017 / 10 |
Geschäftsbereich | Bestimmungsörter (Länder und Plätze) |
Medientyp | Internet-Film |
Länge |
12. Youth & Adventure / Date
Titel | Date |
Agentur | TBWA\Hunt\Lascaris Johannesburg |
Kampagne | Flight Centre |
Werbende | Flight Centre |
Marke | Youth & Adventure |
Posted | JunI 2018 |
Geschäftsbereich | Transport, Reise & Tourismus |
Medientyp | Radio |
Länge |
13. Youth & Adventure / Swim
Titel | Swim |
Agentur | TBWA\Hunt\Lascaris Johannesburg |
Kampagne | Flight Centre |
Werbende | Flight Centre |
Marke | Youth & Adventure |
Posted | JunI 2018 |
Geschäftsbereich | Transport, Reise & Tourismus |
Medientyp | Radio |
Länge |
14. Thalys / HUMAN MONUMENTS
Titel | HUMAN MONUMENTS |
Agentur | ROSA PARIS |
Kampagne | Human Monuments |
Werbende | Thalys |
Marke | Thalys |
Datum der ersten Ausstrahlung/Veröffentlichung | 2018 / 4 |
Geschäftsbereich | Fluglinien, Flughäfen, Bahnreisen, Busreisen, Fähren, Schiffsreisen |
Story | In Brussels, says train service Thalys and its agency, the real monuments are its people. An entertaining Facebook event played on this idea. People were invited to test a "Holobooth", a futuristic photo booth capable of capturing them in 360° and creating their hologram. The hologram was then projected onto a stone slab, creating gigantic silhouettes more than five metres high. |
Medientyp | Case Study |
Länge | |
Markt | Belgien, Niederlande, Großbritannien |
Client | Laetitia Deville |
Client | Pauline Remond |
Client | Barbara Bruynooghe |
Client | David Schoffers |
Client | Kim Masselin |
Co-founder | Jean-Patrick Chiquiar |
Co-founder | Gilles Fichteberg |
Co-founder | Jean-Francois Sacco |
ECD | Gilles Fichteberg |
ECD | Jean-Francois Sacco |
General director | Delphine Drutel |
Group account director | Aurore Cornen |
Account manager | Camille Hemet |
Account executive | Tristan Blondeau |
Copywriter | Nicolas Gadesaude |
Art director | Julien Saurin |
TV producer | Thomas Laurent |
PRODUCTION | Sovage |
Producer | Willy Morrencé |
Production director | Lorette Delva |
Director | Julian Nodolwsky |
DOP | Nicolas de St Quentin |
Post production | FIRM |
HOLOGRAM | Orbis |
Director | Yvan Touhami |
Account manager | Anthony Damario |
Titel | Beach 2 |
Agentur | BBDO Bangkok |
Kampagne | Thai Airasia |
Werbende | Thai Airasia |
Marke | Thai Airasia |
Posted | August 2018 |
Geschäftsbereich | Fluglinien, Flughäfen, Bahnreisen, Busreisen, Fähren, Schiffsreisen |
Medientyp | Presse & Publikationen |
Chief Creative Officer | Suthisak Sucharittanonta |
Executive Creative Director | Suthisak Sucharittanonta |
Creative Director | Anuwat Nitipanont |
Texter | Suthisak Sucharittanonta |
Art Director | Suthisak Sucharittanonta |
Texter | Anuwat Nitipanont |
Art Director | Anuwat Nitipanont |
Texter | Thiti Boonkerd |
Art Director | Kantapon Metheekul |
16. Youth & Adventure / Spiritual Festival
Titel | Spiritual Festival |
Agentur | TBWA\Hunt\Lascaris Johannesburg |
Kampagne | Flight Centre |
Werbende | Flight Centre |
Marke | Youth & Adventure |
Posted | Juli 2016 |
Geschäftsbereich | Transport, Reise & Tourismus |
Medientyp | Radio |
Länge |
Titel | Real- Time Taxi Display |
Agentur | dentsuMB |
Kampagne | Real Time- Taxi Display |
Werbende | United Airlines |
Marke | United Airlines |
Posted | November 2017 |
Geschäftsbereich | Fluglinien, Flughäfen, Bahnreisen, Busreisen, Fähren, Schiffsreisen |
Philosophie | United Airlines’ strength in New York is rooted in its Newark International Airport (EWR) hub in New Jersey. New Yorkers are familiar with both the EWR and JFK airports, but for most, the idea of flying from a New Jersey airport seems inconvenient and distant. In reality, Newark is actually closer to Manhattan than perceived, so getting to EWR by taxi is significantly faster than getting to JFK. To prove this to New Yorkers, we programmed GPS software integrated with real-time traffic data into 125 digital taxi tops and displayed a comparison between the travel time to JFK vs EWR. |
Ergebnis | The taxi displays were 100% dynamic and would update in real time with every change in the taxi’s position, evolving traffic patterns, and unpredictable events like car accidents or weather. This represents the first time real-time traffic data has been used to display a dynamic ad on top of a taxi. |
Medientyp | Presse & Publikationen |
Media Company | Kinetic Worldwide |
Medienplaner | Robin Yablonski |
Medienplaner | Megan Warfield |
Agency Account Executive | Amy Laughlin |
Agency Account Supervisor | Kayla Friedman |
Agency Account Director | Joey Ziarko |
Agency Planning Director | Diane Epstein |
Executive Creative Director | Haydn Morris |
Group Creative Director | David Dirienz |
Texter | Anthony Pagaza |
Art Director | Erik Jansen |
Art Director | Steven Graziano |
Produktionsfirma | Verifone Media |