THE FINANCIAL INDUSTRY EMBRACED ADVERTISING AND INNOVATION “FOR GOOD”, AN EVOLUTION APPLAUDED BY AWARDS JURIES.
Banks have often been portrayed as the bad guys, but to judge from this crop of multi-awarded campaigns, lately they’ve been focused on doing good. From Doconomy’s carbon-capping credit card to VUB’s “Money Saving Button”, which actually discourages consumers from spending impulsively, not to mention Santander’s Bank’s innovative “Fieeld” haptic device for the visually impaired, these financial giants clearly aimed to contribute to society. In the top slot is the “Astronomical Sales” event from MasterCard and FP7/DXB McCann Worldgroup (Dubai), which cleverly equated a solar eclipse with the brand’s logo. And as the event was linked to a price-slashing exercise on a popular shopping site, consumers won yet again.
Banks have often been portrayed as the bad guys, but to judge from this crop of multi-awarded campaigns, lately they’ve been focused on doing good. From Doconomy’s carbon-capping credit card to VUB’s “Money Saving Button”, which actually discourages consumers from spending impulsively, not to mention Santander’s Bank’s innovative “Fieeld” haptic device for the visually impaired, these financial giants clearly aimed to contribute to society. In the top slot is the “Astronomical Sales” event from MasterCard and FP7/DXB McCann Worldgroup (Dubai), which cleverly equated a solar eclipse with the brand’s logo. And as the event was linked to a price-slashing exercise on a popular shopping site, consumers won yet again.
Most awarded
campaigns, brands &
agencies in
Finance in
2020
Most awarded
campaigns, brands and
agencies in
Finance in
2020
CAMPAIGNS
BRANDS
Brand | ||
---|---|---|
1 | Master Card | |
2 | Direct Line | |
3 | Santander | |
4 | ANZ Bank | |
5 | Nedbank |
AGENCIES
Name | ||
---|---|---|
1 | FP7/DXB - McCann Worldgroup, Dubai | |
2 | RBK Communication, Stockholm | |
3 | Arnold, Boston | |
4 | Havas Madrid | |
5 | VMLY&R Poland, Warszawa |
Watch
1. MasterCard / Astronomical Sales (75s)
Titel | Astronomical Sales (75s) |
Agentur | FP7/DXB - McCann Worldgroup |
Kampagne | Astronomical Sales |
Werbende | Mastercard International |
Marke | MasterCard |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 12 |
Geschäftsbereich | Kreditkarten |
Medientyp | Integrated Media/360 Activation |
Länge | |
Global Executive Creative Director | Adrian Botan |
Global Executive Creative Director | Pierre Lipton |
Executive Creative Director | Fouad Malak |
Art Director | Edu Cesar |
Art Director | Paulo Engler |
Texter | Nerine Gardiner |
Texter | Daniel Osorio |
Motion Design | Lucas Fuse |
Motion Design | Deydson Rocha |
2. Direct Line / Film 4 Idents
Titel | Film 4 Idents |
Agentur | Saatchi & Saatchi |
Kampagne | Film 4 Idents |
Werbende | Direct Line |
Marke | Direct Line |
Posted | Juli 2020 |
Geschäftsbereich | Versicherung |
Philosophie | In the movies, anything can happen. Which is perfect for Direct Line Insurance, because it had the opportunity to sponsor Film on 4, with idents in the ad breaks of famous movies. The idea was for a call centre that took calls and responded to events happening in the films, as they happened. Saatchi & Saatchi created over 60 idents that, with clever media buys, perfectly lined up with iconic insurance-related events in the movies. The imaginary call centre took calls from Hollywood’s biggest blockbusters, including a helicopter crash from The Matrix, and axe damage to a bathroom door from The Shining. |
Medientyp | Case Study |
Länge | |
Produktionsfirma | Rattling Stick |
Redaktionsbüro | The Assembly Rooms |
Post-Produktion | Framestore |
Tonstudio | Factory Studios |
Chief Creative Officer | Guillermo Vega |
Executive Creative Director | Dan Treichel |
Creative Director | Franki Goodwin |
Creative Teammitglied | Ryan Price |
Creative Teammitglied | Harriet Ronn |
Creative Teammitglied | Barney Spiro |
Business Leader | Richard Sweetman |
Etatdirektor | Paul McHugh |
Kundenbetreuer | Juliet Cornick |
Strategieplaner | Rui Ferreira |
Agency Producer | Marie Hughes |
Production Supervisor | Isaac Addo |
Regisseur | Daniel Kleinman |
Executive Producer | Johnnie Frankel |
Produzent | Stuart Bentham |
Cutter | Eve Ashwell |
Produzent Post-Produktion | Helen Hughes |
Sounddesigner | Dan Beckwith |
Brand Director | Kerry Chilvers |
Marketing Manager | Kirsty Hoad |
Manager, Brand Marketing | Emma Taylor |
Partner | Oli Scargill |
Kaufmännischer Geschäftsführer | Marine Turner |
Head of Sponsorship & Events | Chris Fuller |
Produktionsmanager | Rick Chambers |
Associate Director | Andrew Gifford |
3. Doconomy / DO Black
Titel | DO Black |
Agentur | RBK Communication |
Kampagne | DO Black - The CO2 emission limit credit card |
Werbende | Doconomy |
Marke | Doconomy |
Posted | Mai 2019 |
Geschäftsbereich | Umwelt & Ökologie |
Story | Swedish fintech company Doconomy has launched a credit card that tracks the carbon dioxide emissions of purchases, and caps the climate impact of users' spending. The DO Black credit card directly connects our consumption to the impact it has on the planet, in a bid to encourage us to actively reduce our carbon footprint each day. Users can make their daily purchases with the DO card, tracking the carbon emissions associated with their spending via the DO app. The app uses a calculation system called the Åland Index to measure the CO2 produced with every transaction, and allows users to put limits on the climate impact of their spending. Those who sign up to DO will receive access to a free savings account that helps them understand their carbon footprint, learn about UN-certified climate compensation projects, and discover investment funds that have a positive impact on people and the planet. The card itself is made of bio-sourced material and is printed with Air Ink – an ink made from recycled air pollution particles, namely the unburned carbon soot that comes out of car exhaust pipes, chimneys and generators. |
Medientyp | Case Study |
Länge | |
ECD | Johan Pihl |
Head of Innovation | Mathias Wikstrom |
Design | Marcus Nystrand |
Art Director | Mattias Alfborger |
4. VUB Bank savings account / VUB money saving button
Titel | VUB money saving button |
Brief | In 2018, for the first time ever, the total debts of Slovaks exceeded their savings.One of the reasons is, that we often spend money unplanned and shop online spontaneousely.Therefore, as a part of a VUB banks deposit campaign, we created a useful Chrome browser plugin to encourage people to save money and ask themselves if the purchase is necessary.The VUB money saving button. A simple browser plugin which adds the button‘Rather save’ next to every ‚Add to Cart’ button in famous eshops used by Slovaks. |
Agentur | Triad Advertising s.r.o |
Kampagne | VUB money saving button |
Werbende | VUB Bank |
Marke | VUB Bank savings account |
Posted | Dezember 2020 |
Geschäftsbereich | Bank Services, Börsenmakler |
Story | In 2018, for the first time ever, the total debts of Slovaks exceeded their savings.One of the reasons is, that we often spend money unplanned and shop online spontaneousely.Therefore, as a part of a VUB banks deposit campaign, we created a useful Chrome browser plugin to encourage people to save money and ask themselves if the purchase is necessary.The VUB money saving button. A simple browser plugin which adds the button‘Rather save’ next to every ‚Add to Cart’ button in famous eshops used by Slovaks. |
Medientyp | Interaktiv |
Leiter Strategie | Martin Woska |
Creative Director | Vlado Kurek |
Art Director | Adam Majko |
Texter | Matus Hliboky |
Developer | Roman Janajev |
Kundenbetreuer | Miroslava Dzupinova |
5. Santander Bank / Fieeld
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Titel | Fieeld |
Agentur | Havas Madrid |
Kampagne | Fieeld |
Werbende | Santander Bank |
Marke | Santander Bank |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 11 |
Geschäftsbereich | Bank Services, Börsenmakler |
Slogan | The first tactile broadcasting system |
Story | Fieeld is the first tactile broadcasting system.When tracking the play, a device was created with a sliding element that replicates what the ball does on the pitch. The movement of this element is easily detectable by the touch on a fabric surface that emulates the field, and synchronizes with the audio broadcasted, making it possible for the blind person to follow the sporting event. |
Medientyp | Case Study |
Länge | |
Mehr Informationen | https://www.footballcan.com/fieeld/en/ |
Chief Creative Officer | Jesús Lada |
Account Executive | Elena Moreno |
Account Executive | Erik Olivera |
Account Executive | Mavi Márquez |
Kundenbetreuer | Eva Suárez |
Creative Director | Nacho Soria |
Art Director | Irena Labat |
Art Director | Diego Lauton |
6. ANZ Bank / Mr Humfreez
Titel | Mr Humfreez |
Agentur | TBWA Group New Zealand |
Kampagne | Mr Humfreez |
Werbende | ANZ |
Marke | ANZ Bank |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 8 |
Geschäftsbereich | Bank Services, Börsenmakler |
Philosophie | Mr Humfreez by ANZ Bank is a household device that shows New Zealanders if their home is too damp or too cold. Instead of a plastic gadget, it’s a biodegradable device that doesn't require a power source. Mr Humfreez is scientifically calibrated to WHO guidelines for a healthy home. His hygroscopic horns are programmed to uncurl when humidity rises above 65%. Bespoke thermochromic ink on his face turns blue when the temperature dips below 18°C. |
Medientyp | Verpackung, Marke & Design |
Länge | |
Chief Creative Officer | Shane Bradnick |
Chief Executive Officer (CEO) | Catherine Harris |
Executive Creative Director | Guy Roberts |
Design Creative Director | Wiktor Skoog |
Creative Director | Ashwin Gopal |
Creative Director | Julian Andrews |
Art Director | Watchara Tansrikeat |
Designer | David Correa |
Design | Ye Sul Elly Cho |
Design | Jim Shi |
Design | Ammar Ghazal |
Planungsleiter | Matthew Kingston |
General Manager | Kate Heatley |
Group Business Director | Ruth Coulson |
Senior Producer | Mark Paisey |
TV Production | Jodie Hari |
Executive Producer | James Moore |
Regisseur | James Solomon |
Head of Post Production | Blair Walker |
Chief Marketing Officer (CMO) | Astrud Burgess |
Head of Consumer | Matthew Pickering |
Senior Marketing Manager | Kimberely Smyth |
Marketing Manager | Kimberely Smyth |
Mac Operator | Laura Callan |
PR Managing Director | Angelina Farry |
PR Account Director | Ian Benet |
Produzent | Camillo Spath |
7. Santander / In Someone Else’s Shoes
Titel | In Someone Else’s Shoes |
Agentur | Arnold |
Kampagne | In Someone Else’s Shoes |
Werbende | Santander |
Marke | Santander |
Datum der ersten Ausstrahlung/Veröffentlichung | 2018 / 12 |
Geschäftsbereich | Bank Services, Börsenmakler |
Medientyp | Internet-Film |
Länge | |
Executive Creative Director | James Bray |
Creative Director | Sam Mullins |
Creative Director | Justin Galvin |
Chief Creative Officer | Icaro Doria |
UX Designer | Chris Capella |
Strategist | Connor Bay |
Strategist | Molly Chisholm |
Executive Producer | Rebecca Chaplick |
Executive Producer | Nicole Hollis-Vitale |
Executive Producer | Catherine Day |
Fernsehproduktion | Will Gregg |
Fernsehproduktion | Emily LaPierre |
8. Emirates NBD / Secure Your Account
Titel | Secure Your Account |
Agentur | Leo Burnett Middle East & North Africa |
Kampagne | Secure Your Account |
Werbende | Emirates NBD |
Marke | Emirates NBD |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 |
Geschäftsbereich | Bank Services, Börsenmakler |
Medientyp | Interaktiv |
Länge | |
Head of Client Services | Vikram Krishna |
Etatdirektor | Elena C. Cruz |
Account Supervisor | Michele Wong |
Account Supervisor | Dana Dabbenigno |
Kundenbetreuer | Hazem Bagh |
Kundenbetreuer | Sapna Kalati |
Marketing Director | Mai Cheblak |
Medienagentur | Sparks Foundry |
Medienplaner | Pauline Rad |
Medienplaner | Navya Sajeevan |
Medienplaner | Vinita Merchant |
Account Executive | Lama Mosallem |
Account Executive | Fabienne Naggear |
Etatdirektor | Sonal Chaddha |
Etatdirektor | Hafsa Qureshi |
Strategieplaner | Ahmad Abu Zannad |
Planning Director | Kimberly Douglas |
Planning Director | Rana El Alami |
Kaufmännischer Geschäftsführer | Ramzi Sleiman |
Global Chief Creative Officer | Liz Taylor |
Chief Creative Officer | Bechara Mouzannar |
Executive Creative Director | Andre Nassar |
Creative Director, Copywriter | Akhilesh Bagri |
Creative Director | Sidney Araújo |
Senior Copywriter | Matteo Maggiore |
Senior Copywriter | Shadi Khermasho |
Texter | Ayman Shehade |
Texter | Israa Tariq |
Art Director | Valerio Mangiafico |
Art Director | Jesper Ramadan |
Produktionsleitung | Shereen Mostafa |
Agency Producer | Ralph Matar |
Produktionsfirma | Dejavu Dubai |
Regisseur | Naelle Sjoblad |
9. AIB / 10 | The Book That Grew
Titel | 10 | The Book That Grew |
Brief | Grass was used to grow a book. A book containing 10 tangible lessons and 10 pieces of practical advice designed to help farmers maximise sustainability and increase profitability. The medium truly was the message: the book was grown from the very grass that Irish farmers nurture, with each page, each word, and each diagram shaped by real grass roots as they grew. When grass is managed correctly, it can work wonders. |
Agentur | Rothco, part of Accenture Song |
Kampagne | Roots |
Werbende | Allied Irish Bank |
Marke | AIB |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 2 |
Geschäftsbereich | Bank Services, Börsenmakler |
Story | We used grass to grow a book. A book with 10 tangible lessons and 10 pieces of practical advice designed to help maximise sustainability and increase profitability. These 10 steps enable farmers to achieve a ‘perfect’ 10 rotations of grass grazing per year, and produce 10 tonnes of grass per hectare – a truly powerful number that will massively improve the sustainability of even the most efficient farm. in this instance, the medium truly was the message: our book was grown from the very grass that Irish farmers nurture, with each page, each word, and each diagram shaped by real grass roots as they grew. Not only does this book lay out a practical plan of action, it symbolises the power of our natural resources. When grass is managed correctly, it can work wonders. |
Medientyp | Case Study |
Länge | |
Texter | Rob Maguire |
Art Director | Fabiano Dalmacio |
Design Director | Shane O’Riordan |
Designer | Diogo Dias |
Creative Director | Emma Sharkey |
Creative Director | Ray Swan |
Executive Creative Director | Alan Kelly |
Executive Producer | Al Byrnes |
Produktionsassistant | Siobhan Coakley |
Public Relations | Helen Browne |
Etatdirektor | Alan McQuaid |
Kaufmännischer Geschäftsführer | Jimi McGrath |
Projektleiter | Irene Sharkey |
Chief Executive Officer (CEO) | Patrick Hickey |
Other | Rothco, part of Accenture Song |
Director / DOP / Editor | Jake Viramontez |
Photographer & Artist | Diana Scherer |
Letterpress Printer & Book Binder | Jamie Murphy |
Print Production Company | The Salvage Press |
10. Nedbank / Secrets
Titel | Secrets |
Agentur | Joe Public |
Kampagne | Secrets |
Werbende | Nedbank |
Marke | Nedbank |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 7 |
Geschäftsbereich | Bank Services, Börsenmakler |
Medientyp | Branded Content |
Länge | |
Produktionsfirma | Romance Films |
PR Agency | Riverbed |
Medienagentur | The MediaShop |
Digital Media Agency | The Odd Number |
Digital Agency | Digitas Liquorice |
Talent | Brett Williams |
Talent | Rolanda Marais |
Talent | Hlubi Mboya |
Talent | Lindiwe Dim |
Talent | Peter Mashigo |
Talent | Faniswa Yisa |
Regisseur | Greg Gray |
Executive Producer | Helena Woodfine |
Direktor Fotografie | Paul Gilpin |
Art Director | Will Boyes |
Art Director | Keenan McAdam |
Ausstattung/Styling | Bridget Baker |
Ausstattung/Styling | Sandra Smith |
Cutter | Kobus Loots |
Cutter | Ricky Boyd |
Redaktionsbüro | Deliverance Post |
VFX Company | Chocolate Tribe |
Musik | Mad Planet |
Komponist | Nicholas Wright |
Post Online | Jean DuPlessis |
Post-Produktion | Chocolate Tribe |
Kolorist | Craig Simonetti |
Hair/Makeup | Annette Van Staden |
Hair/Makeup | Shiralee Maclachlan |
Art Buyer | Tammy Chetty |
Fotograf | Justice Mukheli |
Digitale Retuschierung | Simon Keeling |
Digitale Retuschierung | George Greyling |
11. AA Insurance / Dinosaur Vs Unicorn
Titel | Dinosaur Vs Unicorn |
Agentur | DDB Group Aotearoa |
Kampagne | Dinosaur Vs Unicorn |
Werbende | AA Insurance Limited |
Marke | AA Insurance |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 10 |
Geschäftsbereich | Versicherung |
Medientyp | Internet-Film |
Länge | |
Produktionsfirma | Good Oil |
Head of Marketing | Richard Park |
Brand Marketing Manager | Melodie Vickars |
Marketing Manager | Catherine Dilly |
Werbeleiter | Charles Tatham |
Chief Creative Officer | Damon Stapleton |
Executive Creative Director | Gary Steele |
Creative Director | Ben Pegler |
Art Director | Julia Ferrier |
Texter | Renee Bryant |
Lead Business Partner | Kate Lines |
Senior Business Director | Lucy Paykel |
Senior Account Manager | Sam French |
Leiter Strategie | Rupert Price |
Planning Director | Thinza Mon |
Digitale Strategie | Carina Egelhof |
Executive Producer | Judy Thompson |
Agency Producer | Claire Colohan |
Executive Producer | Mark Foster |
Regisseur | Adam Gunser |
Musik | Liquid Studios |
Post-Produktion | Alt VFX |
12. Tochka Bank / All at once
Titel | All at once |
Agentur | Voskhod |
Kampagne | All at once |
Werbende | Tochka Bank |
Marke | Tochka Bank |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 10 |
Geschäftsbereich | Bank Services, Börsenmakler |
Slogan | All at once |
Story | The video pictures the Russian market of small and medium-sized businesses as a gypsy one – grotesque, noisy, chaotic and carnivalesque. An entrepreneur has to overcome difficulties that the main antagonist – the Boss – is responsible for. The Boss is a vivid two-in-one representation of the government and monopolies. Together with his family, he terrorizes local businesspeople by demanding bribes, robbing the spots and collecting cash, not paying the bills and bogarting other businesses. So, it’s Russia as it is. However, we believe that together we can make it right. |
Medientyp | Internet-Film |
Länge | |
Post-Produktion | Ilya Linetsky |
Creative Director/ art director | Anton Rozhin |
Founder / Executive Creative Director | Andrey Gubaydullin |
Producer and Project Manager | Elizaveta Larionova |
Head of Strategy | Dmitry Donik |
Film Director | Emir Kusturica |
Titel | Heartbeats 4 Sneakers |
Kampagne | Heartbeats 4 Sneakers |
Werbende | Klarna |
Marke | Klarna |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 / 7 |
Geschäftsbereich | Bank Services, Börsenmakler |
Story | Phase 1, Tease: 29.06-01.07 We started to build hype by revealing the drop in collaboration with Highsnobiety and Sneakerhead influencers. Placements: - heartbeats4sneakers.com (countdown) - Highsnobiety editorial + social - Influencers - Paid social - Klarna owned channels - PR Phase 2, Engage: 02.07-06.07 We launched the Smoooth raffle that premiers passion over bots by only allowed humans with whose heart beats for sneakers to enter. We amplified engagement by collaborating with influencers from the sneaker community. Placements: - heartbeats4sneakers.com - Highsnobiety editorial + social - Influencers - Bought social - Klarna owned channels - Paid social - Online video - PR Phase 3, Scale: 07.07-13.07 We launched 'Sneaker Deal Week' to demonstrate at scale that Klarna offers the best sneaker shopping experience. Placements: - heartbeats4sneakers.com - Influencers - Klarna owned - Paid social - Online video - Display - Merchants |
Problem | Sneaker shopping is a massive industry, estimated to reach a global value of USD$77Bn in 2020. Brief: How can Klarna - one of the world's leading fintech brands, with a mission to reshape the shopping experience and become the world's favourite way to shop - tap into the sneaker community in an authentic way? Objectives: Drive awareness and engagement within the (European) sneakerheads community, in a way that also generates spillover effects to the larger sneaker community (i.e. everyone who likes to shop sneakers). |
Medientyp | E-Commerce |
Länge | |
Produktionsfirma | Diktator |
Produktionsfirma | We Are Yours |
Creative Teammitglied | Julia Klyvare |
Creative Teammitglied | Amanda Lindgren |
Marketing Associate | Tina Bragfeldt |
Art Director | Jesper Hellzén |
Texter | Cameron Thorne |
Designer | Pontus Gustavsson |
Design Lead | Calle Reimers |
Marketing Associate | Sophie Burgoyne |
Content Creative | Rickard Berggren |
Service Delivery | Felix Eller |
Marketing Manager | Leo Holte |
Marketing Manager | Mark Godfrey |
Marketing Manager | Mikael Vig Mangell |
Head of Media | Magnus Lindholm |
Marketing Director | Christian Cabau |
VP of Marketing | Daniel Jontén |
Regisseur | Simon Jung |
Produzent | Sergej Israel |
Executive Producer | Per Welén |
Kreative Technologie | Karl Wahlström |
Creative Technical Director | Fredrik Stutterheim |
Motion Graphics Director | Johan Lindgren |
Produzent | Jonas Stenqvist |
14. Die Mobiliar / Moving Box Furniture
Titel | Moving Box Furniture |
Brief | Mobiliar is the oldest Swiss Insurance Company. While being a very traditional brand «Die Mobiliar» still has interesting insurance offers for a young target audience. Unfortunately, the young people are not aware of this. That’s why we didn’t create an advertising campaign, but something useful for the target audience. Something that really has a benefit for them – based on an important insight. When young people move to a new apartment, they usually don’t have appropriate furniture. That’s why we created «Moving Box Furniture», moving boxes that can be turned into furniture after the move. The creative furniture showed the young people, that «Die Mobiliar» has helpful offers for them and made the old brand a talking piece among the young target audience. |
Agentur | Jung von Matt/Limmat Werbeagentur AG |
Kampagne | Moving Box Furniture |
Werbende | Die Mobiliar |
Marke | Die Mobiliar |
Posted | Dezember 2020 |
Geschäftsbereich | Versicherung |
Story | Mobiliar is the oldest Swiss Insurance Company. While being a very traditional brand «Die Mobiliar» still has interesting insurance offers for a young target audience. Unfortunately, the young people are not aware of this. |
Medientyp | Case Study |
Chief Creative Officer | Dennis Lück |
Creative Director | Sören Schröder |
Art Director | Regine Cavicchioli |
Art Director | David Hanselmann |
Grafik | Merlin Obrero |
Produktdesign | Patrick Müller |
Designer | Boris Stoll |
Texter | Cla Campell |
Strategist | Dennis Hofmann |
Strategist | Florence Scherer |
Projektmanager | Jasmin Jost |
Projektmanager | Valeria Vuckovic |
Filmproduzent/Produzent | Tina Aich |
Produktion | Studio Lardo |
Film Camera | Matthias Kappeler |
15. ABN Amro / The Dark Side of Money
Titel | The Dark Side of Money |
Agentur | N=5 |
Kampagne | The Dark Side of Money |
Werbende | ABN Amro |
Marke | ABN Amro |
Posted | Dezember 2020 |
Geschäftsbereich | Bank Services, Börsenmakler |
Medientyp | Branded Content |
Länge | |
Medienagentur | STORM Digital |
Medienagentur | MediaCom Netherlands |
PR Agency | Newslab |
Produktionsfirma | Tebber Nekkel |
Texter | Leon Ragetlie |
Art Director | Gabriela Nouws |
Creative Director | Daniel te Lindert |
Creative Director | Thijs Bontje |
Screenwriter & Director | Blue ter Burg |
Screenwriter & Producer | Quintin Baker |
Strategy Director | Esther Overmars |
Strategist | Silvia van Hooft |
Head of Account Management | Judith Lavalette |
Direktor Kundenservice | Merel Hoogendorp |
Kundenbetreuer | Maaike Langereis |
Agency Producer | Anna Bosscher |
Direktor Digital | Marcel Hellemons |
Produzent Digital | Hans Dekker |
Designer | Noortje Hulshof |
Motion designer | Sander Kruit |
Motion designer | Robine Schmetz |
Grafik-Designer | Ralph Bannink |
Fotograf | Ron Gessel |