LACOSTE SERVES A GREAT GAME BUT DESIRABLE CARS ARE THE STARS OF THE LUXURY SECTOR.
It’s always interesting to note that the rarefied brands most closely associated with luxury – the Chanels and Cartiers of the world – tend to snub awards shows. And indeed not one of them is present in the top 15. What we see here are more accessible luxury brands. Lacoste tops the line-up with the emotive “Crocodile Inside” film, then “crocs” up again at number 5 with its “Crocodile Free” initiative, making it the most awarded luxury brand. The rest of the peloton is filled with automotive brands: Volvo, BMW and Mercedes. Later in the top ten we find Diesel, purveyor of premium casual wear and back on a creative roll that recalls its glory days in the 1990s, sending Publicis Italy to the second slot on the list of most-awarded agencies (after Lacoste’s BETC).
It’s always interesting to note that the rarefied brands most closely associated with luxury – the Chanels and Cartiers of the world – tend to snub awards shows. And indeed not one of them is present in the top 15. What we see here are more accessible luxury brands. Lacoste tops the line-up with the emotive “Crocodile Inside” film, then “crocs” up again at number 5 with its “Crocodile Free” initiative, making it the most awarded luxury brand. The rest of the peloton is filled with automotive brands: Volvo, BMW and Mercedes. Later in the top ten we find Diesel, purveyor of premium casual wear and back on a creative roll that recalls its glory days in the 1990s, sending Publicis Italy to the second slot on the list of most-awarded agencies (after Lacoste’s BETC).
Most awarded
campaigns, brands &
agencies in
Luxury in
2020
Most awarded
campaigns, brands and
agencies in
Luxury in
2020
CAMPAIGNS
BRANDS
Brand | ||
---|---|---|
1 | Lacoste | |
2 | Volvo | |
3 | Diesel | |
4 | BMW | |
5 | Mercedes-Benz |
AGENCIES
Name | ||
---|---|---|
1 | BETC Paris, Pantin | |
2 | Publicis Italy, Milan | |
3 | Forsman & Bodenfors Göteborg | |
4 | Jung von Matt AG, Hamburg | |
5 | antoni GmbH, Berlin |
Watch
1. Lacoste / Crocodile Inside (97s)
Titel | Crocodile Inside (97s) |
Agentur | BETC Paris |
Kampagne | Crocodile Inside |
Werbende | Lacoste |
Marke | Lacoste |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 5 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Medientyp | Fernsehen & Kino |
Länge | |
Soundtrack | L’Hymne à l’amour - Edith Piaf |
Produktionsfirma | Iconoclast |
Werbeleiter | Sandrine Conseiller |
Werbeleiter | Amandine Morel |
Werbeleiter | Mylène Atlan |
Werbeleiter | Amandine Delcour |
Kundenbetreuung | Bertille Toledano |
Kundenbetreuung | Gaëlle Gicqueau |
Kundenbetreuung | Fanny Buisseret |
Executive Creative Director | Rémi Babinet |
Creative Director | Aurélie Scalabre |
Creative Director | Olivier Aumard |
Creative Director | Damien Bellon |
Art Director | Aurélie Scalabre |
Texter | Olivier Aumard |
Stellvertretender Art Director | Jessica Fecteau |
Strategieplaner | Philippe Martin-Davies |
Music Creative Director | Christophe Caurret |
Produktionsfirma | General Pop |
Regisseur | Megaforce |
2. Volvo / The E.V.A. Initiative
Titel | The E.V.A. Initiative |
Agentur | Forsman & Bodenfors Göteborg |
Kampagne | The E.V.A. Initiative |
Werbende | Volvo |
Marke | Volvo |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 3 |
Geschäftsbereich | Autos |
Story | E.V.A stands for Equal Vehicles for All. Most crash test dummies are modelled on men, meaning that women behind the wheel are often more vulnerable. But since the 1970s Volvo has based its car designs and safety innovations on data from real accidents, involving both men and women, making its vehicles safer for everyone. This data was made public through a digital library, with the aim of making all cars safer. The project had a precedent because Volvo had previously given away its patented seat belt technology. |
Medientyp | Integrated Media/360 Activation |
Länge | |
Markt | Großbritannien |
Soundtrack | “Without You (feat. Kerry Leatham)” |
Mehr Informationen | https://www.volvocars.com/intl/why-volvo/human-innovation/future-of-driving/safety/cars-safe-for-all?utm_source=youtube&utm_medium=social&utm_content=safe_bio-description_16x9&utm_campaign |
Ton | Factory Studios |
Kampagnenmanager | Louise Ahlström |
Texter | Hampus Elfström |
Texter | Simon Lublin |
Texter | Jacob Nelson |
Art Director | Karl Risenfors |
Art Director | Leo Dahl |
Art Director | Adam Ulvegärde |
Art Director | Sophia Lindholm |
Strategieplaner | Trine Keller-Andreasen |
Strategieplaner | Daniel Sjöstrand |
Digitale Strategie | Peter Gaudiano |
Produzent | Lena Sellman |
Account Executive | Katarina Klofsten |
Account Executive | Ewa Edlund |
Web design | F and B Inhouse |
Artwork | Martin Joelsson |
Artwork | Ingrid Arnsand Jonsson |
Account Supervisor | Magnus Wretblad |
Public Relations | Maja Bredberg |
Public Relations | Bjarne Darwall |
Medienagentur | Mindshare Sweden |
Produktionsfirma | NEW LAND Stockholm |
Executive Producer | Erik Torell |
Executive Producer | Therese Engberg |
Regisseur | Laerke Herthoni |
Direktor Fotografie | Rasmus Videbaek |
Produzent | Joel Rostmark |
Cutter | Johan Söderberg |
Dancer | Amy Gardner |
Kolorierung | Framestore |
Color Assist | Simon Bourke |
VFX Supervisor | Joel Lindman |
CG Artist | Laurent Clermont |
Online Artist | Rajdarn Elderado |
Online-Studio | Chimney Pot |
Color Producer | Chris Anthony |
Produzent Post-Produktion | Moa Looft |
VFX Executive Producer | Anton Söderhäll |
VFX PRODUCTION | Goodbye Kansas |
VFX Producer | Linda Öhlund |
VFX Lead | Filip Orrby |
Grad | Framestore |
Darsteller | Lapalux |
Musik | Ninja Tune |
Publishing Rights | Just Isn't Music |
Produzent Ton | Lucy Spong |
Sound Design and Mix | Jon Clarke |
CGI | Superstudios |
3. BMW / The Small Escape
Titel | The Small Escape |
Agentur | Jung von Matt AG |
Kampagne | The Small Escape |
Werbende | BMW |
Marke | BMW |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 10 |
Geschäftsbereich | Kraftfahrzeuge |
Medientyp | Branded Content |
Länge | |
Post-Produktion | Whitehouse Post |
Regisseur | Alex Feil |
Kameramann | Khalid Mohtaseb |
Produktionsfirma | Tempomedia Filmproduktion GmbH |
Executive Creative Director | Thim Wagner |
Cutter | Iain Whitewright |
Produzent | Birgit Damen |
4. Mercedes-Benz / Bertha Benz: The Journey That Changed Everything
Titel | Bertha Benz: The Journey That Changed Everything |
Agentur | antoni GmbH |
Kampagne | Bertha Benz: The Journey That Changed Everything |
Werbende | Daimler AG |
Marke | Mercedes-Benz |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 3 |
Geschäftsbereich | Kraftfahrzeuge |
Slogan | She believed in more than a car. She believed in herself |
Story | To prove that her husband’s invention was the future of mobility, Bertha Benz went on the first long-distance journey in an automobile. 131 years later, she was celebrated in a short film launched on International Women’s Day. We see Bertha driving her "horseless carriage" into a fearful town, where a pharmacy that sells "ligroin" petroleum unwittingly becomes the world's first gas station. After overcoming the scepticism of onlookers, and especially the contempt of the menfolk, she motors triumphantly away. |
Medientyp | Internet-Film |
Länge | |
Redaktionsbüro | Trim Editing |
Werbeleiter | Damir Maric |
Werbeleiter | Boris Daimler AG |
Werbeleiter | Boris Helms |
Werbeleiter | Daniel Ritsch |
Geschäftsführer | Sven Dörrenbächer |
Geschäftsführer | Matthias Schmidt |
Geschäftsführer | Jörg Schultheis |
Executive Creative Director | Marcell Franke |
Executive Creative Director | Veit Moeller |
Executive Creative Director | Tilman Gossner |
Creative Director | Alice Bottaro |
Texter | Andre Santa Cruz |
Strategist | Alicia Gaworska |
Produktionsfirma | Anorak Film |
Regisseur | Sebastian Strasser |
Geschäftsführer | Christiane Dressler |
Executive Producer | Christoph Petzenhauser |
Produzent | Christoph Petzenhauser |
Filmproduzent/Produzent | Björn Levy-Krüger |
Direktor Fotografie | Justin Brown |
Produktionsdesigner | Robin Brown |
Cutter | Thomas Grove-Carter |
Tonstudio | Slaughterhouse GmbH |
Komponist | Steffen Thum |
Komponist | Lorne BalfeHelms |
Komponist | Daniel Ritsch |
Filmproduzent/Produzent | Björn Levy-Krüger |
5. Lacoste / IUCN / Crocodile Free (Film Case)
Titel | Crocodile Free (Film Case) |
Agentur | BETC Paris |
Kampagne | Crocodile Free |
Werbende | Lacoste |
Marke | Lacoste / IUCN |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Story | For the second year of its partnership with the International Union for Conservation of Nature (IUCN), Lacoste pushed its engagement for wildlife even further. Its iconic crocodile left its usual spots to ten threatened species in every square foot of Lacoste’s main stores in the world. All Lacoste communication and social platforms also became “Crocodile-Free”. All profits from this day helped IUCN’s efforts to conserve threatened wildlife. |
Medientyp | Case Study |
Länge | |
Kundenbetreuung | Bertille Toledano |
Kundenbetreuung | Fanny Buisseret |
Kundenbetreuung | Charlotte Seillier |
Kundenbetreuung | Suzy Morin |
Executive Creative Director | Rémi Babinet |
Creative Director | Antoine Choque |
Art Director | Jonathan Baudet-Botella |
Texter | Olivier Aumard |
Music Creative Director | Christophe Caurret |
Stellvertretender Art Director | Benoît Ferran |
Stellvertretender Art Director | Jessica Fecteau |
Motion Design | Olivier Kharon |
Post-production Supervisor | Anne-Sophie Touveron |
Produktionsfirma | General Pop |
Tonproduktion | GUM – Green United Music |
Head of Strategy | Lennie Stern |
Head of Activation & Strategy | Julien Leveque |
6. Volkswagen / Road Tales
Titel | Road Tales |
Titel (Originalsprache) | Snelweg Sprookjes |
Agentur | Dentsu Creative |
Kampagne | Road Tales |
Werbende | Volkswagen Group |
Marke | Volkswagen |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 1 |
Geschäftsbereich | Kraftfahrzeuge |
Story | How to encourage kids to enjoy the scenery during road trips rather than being riveted to a screen? Road Tales are location-based audiobooks that transform car journeys into magical tales. Landmarks like windmills, bridges and lakes become story elements. Parents can download the app and play the interactive stories through the car’s sound system. 5000 kilometres of highway were scanned to create a custom experience for every ride. Through a mix of classic storytelling, "I spy" and creative use of data, VW turns every journey into a story. |
Philosophie | Most of us can relate to the image of kids looking outside the window letting their mind wander into imaginary worlds as they travel along the road. But the back seat of most family cars today looks quite differently: children sucked into screens, disconnected from what surrounds them. Screen time is constantly increasing, specially among younger generations. The American Academy of Pediatrics (AAP) updated their guidelines for children’s media use, as children desperately need more free time to ignite their imaginations and develop a sense of wonder . Instead of activating their imagination, children 1 are overstimulated by all that extensive screen time. Creative agency ACHTUNG! mcgarrybowen developed ‘Snelweg Sprookjes’ (translated: Road Tales) for Volkswagen Netherlands. An app with location based interactive audiobooks that transform ordinary road objects into magical characters of a story. The main goal of the app is to make children curious about looking outside again as they ride in the car - but also to give parents a good alternative for the use of screens. In the Netherlands Volkswagen is one of the most driven family cars. Thousands of children are spending time on the back seats of cars on a daily basis. Most of this time is filled with a digital screen. With 'Road Tales', Volkswagen wants to bring imagination back to where it has always belonged: the back seat. Mervyn ten Dam - executive creative director ACHTUNG! mcgarrybowen Amsterdam: “With the app we stimulate the imagination of kids and create a fun and interactive experience for the whole family. Through a custom story-engine, the app builds stories in real-time around ordinary highway objects. For example, a story turns a tunnel into a rocket launcher. With this app we want to give children the ability to trigger their creative thinking skills, which are essential to self-discovery.” |
Medientyp | Case Study |
Länge | |
Production | Round Trip and Since ‘88 |
Development app | Robot Kittens |
Sound | Big Orange |
Illustrations | Mario Niveo |
Manager Marketing Communication | Berno Schokker |
Team Manager Marketing Communication | Eric Bun |
Brand Communication Manager | Laura Derks |
Executive Creative Director | Mervyn ten Dam |
Executive Creative Director | Daniel Sytsma |
Creative Director | Samyr Souen |
Creative Director | Kika Douglas |
Creative | Wilmar Versprille |
Creative | Matthijs Groos |
Creative | Lieve Eek |
Account Manager | Dirk Jan de Krom |
Strategy Director | Boris Nihom |
Strategy | Gerben Van der Zwaard |
Head of Production | Sam van der Zanden |
Content Producer | Souraya El-Far |
Digital Producer | Kim Do |
Designer | Joost Huver |
Designer | Jack McAuliffe |
Design Director | Roy van Dijk |
UX design | Falco Negenman |
Illustrator | Mario Niveo |
Produktionsfirma | Since ‘88 |
Production Company | Round Trip |
Production Company | Robot Kittens |
Sound Design | Big Orange |
Writer | Joke van Leeuwen |
Writer | Daan Remmerts de Vries |
Writer | Babette van Veen |
Writer | Herman van Veen |
Writer | Wilmar Versprille |
Writer | Matthijs Groos |
7. Diesel / Enjoy Before Returning
Titel | Enjoy Before Returning |
Agentur | Publicis Italy |
Kampagne | Enjoy Before Returning |
Werbende | Diesel |
Marke | Diesel |
Posted | April 2020 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Medientyp | Case Study |
Länge | |
Creative Director | Thiago Cruz |
Creative Director | Mihnea Gheorghiu |
Art Director | Andrea Sarcullo |
Texter | Sébastien Rouvière |
Chief Creative Officer | Bruno Bertelli |
Chief Creative Officer | Cristiana Boccassini |
Fotograf | Angelo Pennetta |
Kreative Leitung | Costanza Rossi |
Kundenbetreuer | Ilaria Castiglioni |
Kundenbetreuer | Filippo D’Andrea |
Kundenbetreuer | Mirko de Martini |
Senior Strategic Planner | Monica Radulescu |
Social Media Manager | Doina Tatu |
Agency Producer | Erica Lora-Lamia |
Art Buyer | Caterina Collesano |
Art Buyer | Marcella Garutti |
Titel | The E.V.A. Initiative 2 |
Agentur | Forsman & Bodenfors Göteborg |
Kampagne | The E.V.A. Initiative |
Werbende | Volvo |
Marke | Volvo |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 3 |
Geschäftsbereich | Autos |
Medientyp | Presse & Publikationen |
Länge | |
Markt | Großbritannien |
Soundtrack | “Without You (feat. Kerry Leatham)” |
Mehr Informationen | https://www.volvocars.com/intl/why-volvo/human-innovation/future-of-driving/safety/cars-safe-for-all?utm_source=youtube&utm_medium=social&utm_content=safe_bio-description_16x9&utm_campaign |
Ton | Factory Studios |
Kampagnenmanager | Louise Ahlström |
Texter | Hampus Elfström |
Texter | Simon Lublin |
Texter | Jacob Nelson |
Art Director | Karl Risenfors |
Art Director | Leo Dahl |
Art Director | Adam Ulvegärde |
Art Director | Sophia Lindholm |
Strategieplaner | Trine Keller-Andreasen |
Strategieplaner | Daniel Sjöstrand |
Digitale Strategie | Peter Gaudiano |
Produzent | Lena Sellman |
Account Executive | Katarina Klofsten |
Account Executive | Ewa Edlund |
Web design | F and B Inhouse |
Artwork | Martin Joelsson |
Artwork | Ingrid Arnsand Jonsson |
Account Supervisor | Magnus Wretblad |
Public Relations | Maja Bredberg |
Public Relations | Bjarne Darwall |
Medienagentur | Mindshare Sweden |
Produktionsfirma | NEW LAND Stockholm |
Executive Producer | Erik Torell |
Executive Producer | Therese Engberg |
Regisseur | Laerke Herthoni |
Direktor Fotografie | Rasmus Videbaek |
Produzent | Joel Rostmark |
Cutter | Johan Söderberg |
Dancer | Amy Gardner |
Kolorierung | Framestore |
Color Assist | Simon Bourke |
VFX Supervisor | Joel Lindman |
CG Artist | Laurent Clermont |
Online Artist | Rajdarn Elderado |
Online-Studio | Chimney Pot |
Color Producer | Chris Anthony |
Produzent Post-Produktion | Moa Looft |
VFX Executive Producer | Anton Söderhäll |
VFX PRODUCTION | Goodbye Kansas |
VFX Producer | Linda Öhlund |
VFX Lead | Filip Orrby |
Grad | Framestore |
Darsteller | Lapalux |
Musik | Ninja Tune |
Publishing Rights | Just Isn't Music |
Produzent Ton | Lucy Spong |
Sound Design and Mix | Jon Clarke |
CGI | Superstudios |
Titel | SIDE:BIZ |
Agentur | Publicis Italy |
Kampagne | BE A FOLLOWER |
Werbende | Diesel |
Marke | Diesel |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 2 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Philosophie | IS DIESEL UNLEASHING SOCIAL MEDIA’S REAL INFLUENCERS? With an ironic flip, Diesel empowers the internet’s followers and fans with SIDE:BIZ As an extension of its new Spring 2019 campaign, BE A FOLLOWER, Diesel is now empowering social media’s followers with the benefits and rewards one might expect to be exclusive to influencers. And how exactly is Diesel doing this? With a smart new platform called SIDE:BIZ. SIDE:BIZ is an innovative approach to e-commerce that allows for any Diesel follower to open their very own Diesel digital shop. Under the program, anyone can become a Diesel Ambassador and earn rewards. SIDE:BIZ is Diesel’s way of celebrating the followers, putting them first, and unleashing their full social media potential by equipping them with the tools needed to live successfully on their own terms. It’s simple: no pressure, no contracts, no proof of influence needed. To start a SIDE:BIZ, you just need to go to diesel.com/baf/sidebiz; sign up; receive a unique e-commerce link; and then share it, post it, text it and email it to everyone you know. Every time someone shops through your unique link, you earn rewards. Depending on where you live, these rewards vary from discounts and free products, to one-of-a-kind experiences. SIDE:BIZ will be available in Europe from February 15, in North America from February 18, in Japan from February 22, and it will be launching in China in March. With SIDE:BIZ, and the entire Spring/Summer ‘19 campaign, Diesel doesn’t just aim to show the world that life is easier as a follower. It also lauds the fact that followers are the social users that matter the most. |
Medientyp | Interaktiv |
Markt | Vereinigte Staaten von Amerika, China, Japan |
CEO Publicis Italia & Global CCO Publicis WW | Bruno Bertelli |
CCO | Cristiana Boccassini |
Creative Director | Thiago Cruz |
Creative Director | Mihnea Gheorghiu |
Creative Supervisor | Costanza Rossi |
Direktor Digitale Kreation | Sandra Bold |
Creative Director and Head of Social Media | Marco Viganò |
Stellvertretender Creative Director | Vinicius Dalvi |
Stellvertretender Creative Director | Eddy Guimaraes |
Texter | James Andrews |
Art Director | Cecilia Moro |
Art Director | Alice Teruzzi |
Texter | Francesca Ferracini |
Art Director | Alex Eftimie |
Texter | Anton M. Kuerschner |
Client Service Director | Eleni Charakleia |
Digital Account Director | Ilaria Castiglioni |
Account Director | Filippo D’Andrea |
Strategieplaner | Monica Radulescu |
Head of Social Client Services & Strategy | Stefano Perazzo |
Social Media Manager | Doina Tatu |
Social Media Manager | Filippo Festuccia |
Creative development & photography | Toilet Paper |
Produktionsfirma | Collateral - The Storytellers |
Post-Produktion | Martin&Rainone |
Stylist | Marc Goehring |
10. Diesel / Ha(u)te Couture
Titel | Ha(u)te Couture |
Agentur | Publicis Italy |
Kampagne | Ha̶u̶te Couture FW18 |
Werbende | Diesel |
Marke | Diesel |
Datum der ersten Ausstrahlung/Veröffentlichung | 2018 / 9 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Story | This film much more than a fashion film. It’s something that could create a lasting cultural impact by literally spinning the language of abusers into words that can empower. Obviously, ‘I Wanna be Loved by You’ is a tongue-in-cheek, ironic take on the central premise of the campaign - It’s not about being loved, it’s about turning hate against the perpetrators. What we loved about the Calypso style was that it celebrated - to an extreme - the liberation of acceptance. |
Medientyp | Social Media |
Länge | |
Produktionsfirma | Stink Films |
Kolorierung | The Mill New York |
Post-Produktion | MPC LDN |
Global Chief Creative Officer | Bruno Bertelli |
Chief Executive Officer (CEO) | Bruno Bertelli |
Chief Creative Officer | Cristiana Boccassini |
Creative Director | Thiago Cruz |
Creative Director | Mihnea Gheorghiu |
Stellvertretender Creative Director | Simone Di Laus |
Texter | James Andrews |
Art Director | Alex Eftimie |
Texter | Anton Michael Kuerschner |
Planungsleiter | Bela Ziemann |
Strategieplaner | Monica Radulescu |
Produktionsleitung | Francesca Zazzera |
Produzent | Marijana Vukomanovic |
Art Buyer | Caterina Collesano |
Designer | Gianluca Chinnici |
Direktor Kundenservice | Eleni Charakleia |
Direktor Kundenservice | Barbara Pusca |
Account Supervisor | Filippo D’Andrea |
Head of Social Media | Stefano Perazzo |
Social Media Manager | Doina Tatu |
Regisseur | Jovan Todorovic |
Executive Producer | Blake Powell |
Filmproduzent/Produzent | Natalie Jacobson |
Direktor Fotografie | Christophe Collette |
Fotograf | Vitali Gelwich |
Cutter | Milena Petrovic |
Kolorist | Mikey Rossiter |
Post-Produktion | Ryan Hancocks |
Musik | Sizzer |
Leitung Musik | Michael Bertoldini |
11. Volvo / Volvo – Lifesaver
Titel | Volvo – Lifesaver |
Brief | We decided to train and equip Volvo drivers with AED’s, connecting their Volvos to the national call system for resuscitation.Volvo drivers are registered as civilian first responders. Emergency calls are automatically sent to the car via Volvo On Call. The driver can navigate directly to the victim. With a modest budget and a target of 25, an astonishing 200 enlisted in the first two weeks. The project exceeded expectations by nearly a thousand percent, making national and international headlines. |
Agentur | Ogilvy Social.Lab Netherlands |
Kampagne | Volvo – Lifesaver |
Werbende | Volvo |
Marke | Volvo |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 11 |
Geschäftsbereich | Autos |
Story | With a cardiac arrest the first six minutes are crucial. But on average ambulances take nine minutes. The concept: equip Volvos with an AED, train drivers on resuscitation and contribute to a better spread of AEDs and thus chances of survival. |
Medientyp | Digitale Installationen |
Länge | |
Produktionsfirma | Smarthouse Films |
Executive Creative Director | Tolga Buyukdoganay |
Executive Creative Director | Michael Jansen |
Creative Teammitglied | Rens Quirijnen |
Creative Teammitglied | Stephan Gonnissen |
Creative Director | Gijs Sluijters |
Creative Director | Joris Tol |
Design Lead | Paul Duijser |
12. Diesel / Return Policy
Titel | Return Policy |
Agentur | Publicis Italy |
Kampagne | Return Policy |
Werbende | Diesel |
Marke | Diesel |
Posted | April 2020 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Medientyp | Andere |
Länge | |
Chief Creative Officer | Bruno Bertelli |
Chief Creative Officer | Cristiana Boccassini |
Creative Director | Mihnea Gheorghiu |
Creative Director | Thiago Cruz |
Art Director | Andrea Sarcullo |
Texter | Sébastien Rouvière |
Produktionsfirma | Smuggler |
Filmproduzent/Produzent | Fergus Brown |
Filmproduzent/Produzent | Chris Barrett |
Filmproduzent/Produzent | Javier Alejandro |
Regisseur | Similar But Different |
Direktor Fotografie | Kanamé Onoyama |
Kundenbetreuer | Ilaria Castiglioni |
Kundenbetreuer | Filippo DAndrea |
Kundenbetreuer | Mirko de Martini |
Senior Strategic Planner | Monica Radulescu |
Social Media Manager | Doina Tatu |
Agency Producer | Erica Lora–Lamia |
Art Buyer | Caterina Collesano |
Art Buyer | Marcella Garutti |
Kreative Leitung | Costanza Rossi |
13. Diesel / Influencers spend of lot of time doing laundry
Titel | Influencers spend of lot of time doing laundry |
Agentur | Publicis Italy |
Kampagne | Be A Follower. Spring/Summer 2019 |
Werbende | Diesel |
Marke | Diesel |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 2 |
Geschäftsbereich | Kleidung |
Medientyp | Internet-Film |
Länge | |
Grading/Online | MPC LDN |
Werbeleiter | Tania Dal Pra |
Werbeleiter | Francesca Zazzera |
Texter | Francesca Ferracini |
Art Director | Cecilia Moro |
Art Director | Alice Teruzzi |
Chief Creative Officer | Cristiana Boccassini |
Creative Director | Thiago Cruz |
Creative Director | Mihnea Gheorghiu |
Creative Director | Marco Viganò |
Art Buyer | Caterina Collesano |
Texter | James Andrews |
Kreative Leitung | Costanza Rossi |
Stellvertretender Creative Director | Vinicius Dalvi |
Stellvertretender Creative Director | Eddy Guimaraes |
Etatdirektor | Ilaria Castiglioni |
Etatdirektor | Filippo D’Andrea |
Social Media Manager | Doina Tatu |
Social Media Manager | Filippo Festuccia |
Social Media Manager | Head of Social |
Direktor Kundenservice | Eleni Charakleia |
Strategist | Monica Radulescu |
Art Director | Alex Eftimie |
Texter | Anton M. Kuerschner |
Direktor Digitale Kreation | Sandra Bold |
Chief Executive Officer / Partner | Bruno Bertelli |
Produktionsfirma | Good People |
Regisseur | Ali Ali |
Regisseur | Ahmed Tahoun |
Direktor Fotografie | Pierre Mouarkech |
Filmproduzent/Produzent | Chantal El Haber |
Filmproduzent/Produzent | Karim Osman |
Executive Producer | Sabine Farah |
Executive Producer | Khaled Zaki |
Cutter | Neda Ahmed |
Cutter | Tommaso Bianchi |
Kolorist | Leianna Campbell |
Post-Produktion | Adolfo Navire |
Grading/Online | Richard Fearon |
Leitung Musik | Sizzer |
Executive Producer | Seppl Kretz |
Executive Producer | Michiel Marsman |
Michael Bertoldini |
14. Volvo XC60 / The Parents
Titel | The Parents |
Agentur | Forsman & Bodenfors Göteborg |
Kampagne | The Parents |
Werbende | Volvo |
Marke | Volvo XC60 |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 / 9 |
Geschäftsbereich | Allradantrieb |
Medientyp | Internet-Film |
Länge | |
Produktionsfirma | New Land |
Art Director | Karl Risenfors |
Art Director | Sophia Lindholm |
Art Director | Leo Dal |
Texter | Hampus Elfström |
Texter | Nicholas Düfke |
Account Supervisor | Magnus Wretblad |
Account Executive | Katarina Klofsten |
Agency Producer | Lena Sellman |
PR Strategist | Bjarne Darwall |
Planner | Daniel Sjöstrand |
Designer | Martin Joelsson |
Web Design | F and B Inhouse |
Regisseur | Niclas Larsson |
Produzent | Joel Rostmark |
Produzent | Adam Holmström |
Direktor Fotografie | Linus Sandgren |
Executive Producer | Sophie Tamm Christensen |
Cutter | Carla Luffe |
Grading/Online | Chimney Pot |
Fotograf | Patrik Johäll |
Komponist | Pete Seeger |
15. Etat Libre d'Orange / Bad Reviews
Titel | Bad Reviews |
Agentur | Kworq |
Kampagne | Bad Reviews |
Werbende | Etat Libre d'Orange |
Marke | Etat Libre d'Orange |
Posted | Dezember 2020 |
Geschäftsbereich | Parfüms |
Story | État Libre d’Orange is known for its head-turning scent names, including “I Am Trash” and “Fat Electrician.” Spirited and sometimes ironic, État’s fragrances required smart ads that also spoke to its refined luxury.So we got risky, not risqué: we borrowed from online reviews where the buyer wasn’t entirely thrilled. Instead of near-naked models, we let the customers tell the stories for us. In fact, these bad reviews were so good that they temporarily put our copywriter out of a job.With this idea, we targeted an audience seeking a fragrance that broke from the mold of other luxury brands. Scents are arguably the closest you can get to a physical signature, becoming a part of your body’s chemistry in a way that other fashion pieces and accessories cannot. By taking this approach, we emphasized État’s rebellious and satiric identity that sets it apart from the rest of the industry. |
Problem | Etat Libre d’Orange presents a collection of fragrances — all aspirational, all essential. With an emphasis on originality, audacity, authenticity and freedom of expression, Etat Libre d’Orange proposes surprising olfactory compositions, without any limitations in terms of creativity, raw materials, or expense. |
Medientyp | Interaktiv |
Gründer | Guy Peires |
Creative Director | Guy Peires |
Gründer | Chris Sullivan |
Technischer Direktor | Chris Sullivan |
Art Director | Gabriela-della Corna |
Designer | Alina Redkina |
Designer | Christa MacDonald |
Designer | Melanie Berra |
Marketing Strategist | Cam Horan |
Agency Producer | Joaquin Cavazos |
Werbeleiter | Vicken Arslanian |
Werbeleiter | Inbal Shaked |
Werbeleiter | Etienne de Swardt |
Werbeleiter | Faust de Swardt |
Projektmanager | Christina Viehoefer |
Projektmanager | Eurah Lee |
Texter | Isaac Park |