DOMINATED BY AUTOMOBILES IN THE PREVIOUS EDITION OF THE REPORT, THIS YEAR’S LUXURY CATEGORY IS FASHION-FORWARD.
Fashion at its best is both glamorous and artistic, words that could easily be applied to Burberry’s superbly-choreographed epic in the top slot, which winks at the brand’s heritage while nodding at the golden age of Hollywood. Publicis Italy continues to put Diesel back in the awards spotlight with the provocative “Enjoy Before Wearing”, while Lacoste and BETC return to the category with “Crocodile Inside”. Audi’s “Don’t Hate, Imitate” proved even more popular than the Super Bowl spot it spoofed – and Volvo’s laudable “E.V.A Initiative” continued to reap awards glory.
Fashion at its best is both glamorous and artistic, words that could easily be applied to Burberry’s superbly-choreographed epic in the top slot, which winks at the brand’s heritage while nodding at the golden age of Hollywood. Publicis Italy continues to put Diesel back in the awards spotlight with the provocative “Enjoy Before Wearing”, while Lacoste and BETC return to the category with “Crocodile Inside”. Audi’s “Don’t Hate, Imitate” proved even more popular than the Super Bowl spot it spoofed – and Volvo’s laudable “E.V.A Initiative” continued to reap awards glory.
Most awarded
campaigns, brands &
agencies in
Luxury in
2021
Most awarded
campaigns, brands and
agencies in
Luxury in
2021
CAMPAIGNS
BRANDS
Brand | ||
---|---|---|
1 | Burberry | |
2 | Diesel | |
3 | Volvo | |
4 | Lacoste | |
5 | BMW |
AGENCIES
Name | ||
---|---|---|
1 | Riff Raff Films, London | |
2 | Publicis Italy, Milan | |
3 | BETC Paris, Pantin | |
4 | Forsman & Bodenfors Göteborg | |
5 | POL Oslo |
Watch
1. Burberry / Festive
Titel | Festive |
Agentur | Riff Raff Films |
Kampagne | Festive |
Werbende | Burberry |
Marke | Burberry |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 / 11 |
Geschäftsbereich | Designermode |
Medientyp | Fernsehen |
Länge | |
Soundtrack | Singin' in the Rain |
Redaktionsbüro | Final Cut |
VFX Company | MPC LDN |
Tonstudio | 750mph |
Produktionsfirma | Riff Raff Films |
Chief Creative Officer | Ricardo Tisci |
Chief Marketing Officer (CMO) | Rod Manley |
Creative Teammitglied | Rachel Crowther |
Art Director | Al Watts |
Art Director | Sean Bell |
Produktionsleitung | Rose Percy |
Agency Producer | Asha Joneja |
Agency Producer | Cara Gillies |
Produktionkoordinator | Rebecca Haddaway |
Post-Produktion | Luke Stazaker |
Regisseur | Megaforce |
Executive Producer | Matthew Fone |
Filmproduzent/Produzent | Nick Goldsmith |
Produktionsmanager | Hannah Fowles-Pazdro |
Produktionsmanager | Georgia Mills |
Assistenzredakteur | Ben Gill |
Direktor Fotografie | Katelin Arizmendi |
Produktionsdesigner | Marco Puig |
Cutter | Joe Guest |
VFX Producer | Ryan Hancocks |
Sounddesigner | Sam Ashwell |
2. Diesel / Enjoy Before Returning
Titel | Enjoy Before Returning |
Agentur | Publicis Italy |
Kampagne | Enjoy Before Returning |
Werbende | Diesel |
Marke | Diesel |
Posted | April 2020 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Medientyp | Case Study |
Länge | |
Creative Director | Thiago Cruz |
Creative Director | Mihnea Gheorghiu |
Art Director | Andrea Sarcullo |
Texter | Sébastien Rouvière |
Chief Creative Officer | Bruno Bertelli |
Chief Creative Officer | Cristiana Boccassini |
Fotograf | Angelo Pennetta |
Kreative Leitung | Costanza Rossi |
Kundenbetreuer | Ilaria Castiglioni |
Kundenbetreuer | Filippo D’Andrea |
Kundenbetreuer | Mirko de Martini |
Senior Strategic Planner | Monica Radulescu |
Social Media Manager | Doina Tatu |
Agency Producer | Erica Lora-Lamia |
Art Buyer | Caterina Collesano |
Art Buyer | Marcella Garutti |
3. Lacoste / Crocodile Inside (97s)
Titel | Crocodile Inside (97s) |
Agentur | BETC Paris |
Kampagne | Crocodile Inside |
Werbende | Lacoste |
Marke | Lacoste |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 5 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Medientyp | Fernsehen & Kino |
Länge | |
Soundtrack | L’Hymne à l’amour - Edith Piaf |
Produktionsfirma | Iconoclast |
Werbeleiter | Sandrine Conseiller |
Werbeleiter | Amandine Morel |
Werbeleiter | Mylène Atlan |
Werbeleiter | Amandine Delcour |
Kundenbetreuung | Bertille Toledano |
Kundenbetreuung | Gaëlle Gicqueau |
Kundenbetreuung | Fanny Buisseret |
Executive Creative Director | Rémi Babinet |
Creative Director | Aurélie Scalabre |
Creative Director | Olivier Aumard |
Creative Director | Damien Bellon |
Art Director | Aurélie Scalabre |
Texter | Olivier Aumard |
Stellvertretender Art Director | Jessica Fecteau |
Strategieplaner | Philippe Martin-Davies |
Music Creative Director | Christophe Caurret |
Produktionsfirma | General Pop |
Regisseur | Megaforce |
4. Audi e-tron / Don't hate. Imitate
Titel | Don't hate. Imitate |
Brief | Audi Norway’s “Don’t Hate. Imitate.” was a series of online films produced in a humorous response to competitor General Motors’ Super Bowl campaign. GM promoted its electric vehicles with the message “Why does Will Ferrell hate Norway?” Their spots featured Hollywood star Ferrell declaring his hate for Norway. His “hatred” was fueled by the fact that Norway is selling more EVs than any other country. As the best-selling EV-brand in Norway, Audi had to fight back. And, we had to act fast to win the EV-battle of The Super Bowl. Our comeback was produced and launched within just 48 hours of the GM ads, just in time for Super Bowl.Our comeback starred Game of Thrones star and proud Norwegian Kristofer Hivju. We fought back with tailor-made responses with one simple message: Don’t Hate. Imitate.In GMs main ad Ferrell, in his determination to hate Norway, punched a hole in a globe where Norway is located. In our first execution we turned the crushed globe, into the key element of our response to GM and Ferrell. |
Agentur | POL Oslo |
Kampagne | Don't hate. Imitate |
Werbende | Audi |
Marke | Audi e-tron |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 |
Geschäftsbereich | Allradantrieb |
Story | Audi Norway's response to the Super Bowl commercial from General Motors. |
Medientyp | Interaktiv |
Länge | |
Produktionsfirma | Einar Film & Fortellinger |
Schauspieler | Kristofer Hivju |
Creative Director/ art director | Thorbjørn Ruud |
Creative Director, Copywriter | Robert Radoli |
Etatdirektor | Petter Bryde |
Projektmanager | Shirin Pakzamir |
Designer | Ole Jacob Boe Skattum |
Regisseur | Aksel Hennie |
Executive Producer | Guri Neby |
Produzent | Nicoline Helgø |
Werbeleiter | Tommy B. Jensen |
Werbeleiter | Elin Rosnes Sinervo |
Direktor Fotografie | Pål Ulvik Rokseth |
Post-Produktion | Cyril Boije |
Post-Produktion | Ida Fiskerud |
Komponist | Petter Fagelund |
Offline Editor | Magnus Evensen |
5. Volvo / The E.V.A. Initiative
Titel | The E.V.A. Initiative |
Agentur | Forsman & Bodenfors Göteborg |
Kampagne | The E.V.A. Initiative |
Werbende | Volvo |
Marke | Volvo |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 3 |
Geschäftsbereich | Autos |
Story | E.V.A stands for Equal Vehicles for All. Most crash test dummies are modelled on men, meaning that women behind the wheel are often more vulnerable. But since the 1970s Volvo has based its car designs and safety innovations on data from real accidents, involving both men and women, making its vehicles safer for everyone. This data was made public through a digital library, with the aim of making all cars safer. The project had a precedent because Volvo had previously given away its patented seat belt technology. |
Medientyp | Integrated Media/360 Activation |
Länge | |
Markt | Großbritannien |
Soundtrack | “Without You (feat. Kerry Leatham)” |
Mehr Informationen | https://www.volvocars.com/intl/why-volvo/human-innovation/future-of-driving/safety/cars-safe-for-all?utm_source=youtube&utm_medium=social&utm_content=safe_bio-description_16x9&utm_campaign |
Ton | Factory Studios |
Kampagnenmanager | Louise Ahlström |
Texter | Hampus Elfström |
Texter | Simon Lublin |
Texter | Jacob Nelson |
Art Director | Karl Risenfors |
Art Director | Leo Dahl |
Art Director | Adam Ulvegärde |
Art Director | Sophia Lindholm |
Strategieplaner | Trine Keller-Andreasen |
Strategieplaner | Daniel Sjöstrand |
Digitale Strategie | Peter Gaudiano |
Produzent | Lena Sellman |
Account Executive | Katarina Klofsten |
Account Executive | Ewa Edlund |
Web design | F and B Inhouse |
Artwork | Martin Joelsson |
Artwork | Ingrid Arnsand Jonsson |
Account Supervisor | Magnus Wretblad |
Public Relations | Maja Bredberg |
Public Relations | Bjarne Darwall |
Medienagentur | Mindshare Sweden |
Produktionsfirma | NEW LAND Stockholm |
Executive Producer | Erik Torell |
Executive Producer | Therese Engberg |
Regisseur | Laerke Herthoni |
Direktor Fotografie | Rasmus Videbaek |
Produzent | Joel Rostmark |
Cutter | Johan Söderberg |
Dancer | Amy Gardner |
Kolorierung | Framestore |
Color Assist | Simon Bourke |
VFX Supervisor | Joel Lindman |
CG Artist | Laurent Clermont |
Online Artist | Rajdarn Elderado |
Online-Studio | Chimney Pot |
Color Producer | Chris Anthony |
Produzent Post-Produktion | Moa Looft |
VFX Executive Producer | Anton Söderhäll |
VFX PRODUCTION | Goodbye Kansas |
VFX Producer | Linda Öhlund |
VFX Lead | Filip Orrby |
Grad | Framestore |
Darsteller | Lapalux |
Musik | Ninja Tune |
Publishing Rights | Just Isn't Music |
Produzent Ton | Lucy Spong |
Sound Design and Mix | Jon Clarke |
CGI | Superstudios |
6. Volvo XC60 / The Parents
Titel | The Parents |
Agentur | Forsman & Bodenfors Göteborg |
Kampagne | The Parents |
Werbende | Volvo |
Marke | Volvo XC60 |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 / 9 |
Geschäftsbereich | Allradantrieb |
Medientyp | Internet-Film |
Länge | |
Produktionsfirma | New Land |
Art Director | Karl Risenfors |
Art Director | Sophia Lindholm |
Art Director | Leo Dal |
Texter | Hampus Elfström |
Texter | Nicholas Düfke |
Account Supervisor | Magnus Wretblad |
Account Executive | Katarina Klofsten |
Agency Producer | Lena Sellman |
PR Strategist | Bjarne Darwall |
Planner | Daniel Sjöstrand |
Designer | Martin Joelsson |
Web Design | F and B Inhouse |
Regisseur | Niclas Larsson |
Produzent | Joel Rostmark |
Produzent | Adam Holmström |
Direktor Fotografie | Linus Sandgren |
Executive Producer | Sophie Tamm Christensen |
Cutter | Carla Luffe |
Grading/Online | Chimney Pot |
Fotograf | Patrik Johäll |
Komponist | Pete Seeger |
7. BMW / The Small Escape
Titel | The Small Escape |
Agentur | Jung von Matt AG |
Kampagne | The Small Escape |
Werbende | BMW |
Marke | BMW |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 10 |
Geschäftsbereich | Kraftfahrzeuge |
Medientyp | Branded Content |
Länge | |
Post-Produktion | Whitehouse Post |
Regisseur | Alex Feil |
Kameramann | Khalid Mohtaseb |
Produktionsfirma | Tempomedia Filmproduktion GmbH |
Executive Creative Director | Thim Wagner |
Cutter | Iain Whitewright |
Produzent | Birgit Damen |
8. Lacoste / IUCN / Crocodile Free (Film Case)
Titel | Crocodile Free (Film Case) |
Agentur | BETC Paris |
Kampagne | Crocodile Free |
Werbende | Lacoste |
Marke | Lacoste / IUCN |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Story | For the second year of its partnership with the International Union for Conservation of Nature (IUCN), Lacoste pushed its engagement for wildlife even further. Its iconic crocodile left its usual spots to ten threatened species in every square foot of Lacoste’s main stores in the world. All Lacoste communication and social platforms also became “Crocodile-Free”. All profits from this day helped IUCN’s efforts to conserve threatened wildlife. |
Medientyp | Case Study |
Länge | |
Kundenbetreuung | Bertille Toledano |
Kundenbetreuung | Fanny Buisseret |
Kundenbetreuung | Charlotte Seillier |
Kundenbetreuung | Suzy Morin |
Executive Creative Director | Rémi Babinet |
Creative Director | Antoine Choque |
Art Director | Jonathan Baudet-Botella |
Texter | Olivier Aumard |
Music Creative Director | Christophe Caurret |
Stellvertretender Art Director | Benoît Ferran |
Stellvertretender Art Director | Jessica Fecteau |
Motion Design | Olivier Kharon |
Post-production Supervisor | Anne-Sophie Touveron |
Produktionsfirma | General Pop |
Tonproduktion | GUM – Green United Music |
Head of Strategy | Lennie Stern |
Head of Activation & Strategy | Julien Leveque |
9. Volvo / Volvo – Lifesaver
Titel | Volvo – Lifesaver |
Brief | We decided to train and equip Volvo drivers with AED’s, connecting their Volvos to the national call system for resuscitation.Volvo drivers are registered as civilian first responders. Emergency calls are automatically sent to the car via Volvo On Call. The driver can navigate directly to the victim. With a modest budget and a target of 25, an astonishing 200 enlisted in the first two weeks. The project exceeded expectations by nearly a thousand percent, making national and international headlines. |
Agentur | Ogilvy Social.Lab Netherlands |
Kampagne | Volvo – Lifesaver |
Werbende | Volvo |
Marke | Volvo |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 11 |
Geschäftsbereich | Autos |
Story | With a cardiac arrest the first six minutes are crucial. But on average ambulances take nine minutes. The concept: equip Volvos with an AED, train drivers on resuscitation and contribute to a better spread of AEDs and thus chances of survival. |
Medientyp | Digitale Installationen |
Länge | |
Produktionsfirma | Smarthouse Films |
Executive Creative Director | Tolga Buyukdoganay |
Executive Creative Director | Michael Jansen |
Creative Teammitglied | Rens Quirijnen |
Creative Teammitglied | Stephan Gonnissen |
Creative Director | Gijs Sluijters |
Creative Director | Joris Tol |
Design Lead | Paul Duijser |
10. Chanel / La Chanel Factory 5
Titel | La Chanel Factory 5 |
Agentur | Groupe Mazarine |
Kampagne | La Chanel Factory 5 |
Werbende | Chanel |
Marke | Chanel |
Posted | Dezember 2021 |
Geschäftsbereich | Kosmetika, Schönheitsprodukte & Parfüms |
Medientyp | Interaktiv |
Länge |
11. Lacoste / Give For Good
Titel | Give For Good |
Agentur | BETC Paris |
Kampagne | Give For Good |
Werbende | Lacoste |
Marke | Lacoste |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 / 12 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Medientyp | Case Study |
Länge | |
Werbeleiter | Nathalie Beguinot |
Werbeleiter | Alexandra Van de Vyvere |
Werbeleiter | Sarah Mugnier |
Kundenbetreuer | Gaëlle Gicqueau |
Kundenbetreuer | Fanny Buisseret |
Kundenbetreuer | Louise Menaige |
Creative Director | Aurélie Scalabre |
Creative Director | Olivier Aumard |
Art Director | Julien Vergne |
Texter | Alexandre Girod |
Stellvertretender Art Director | Mathis Payet |
Produzent | Bao TuNgoc |
Produktionsfirma | General Pop |
Tonproduktion | GUM – Green United Music |
12. Bottega Veneta / The Invisible Store
Titel | The Invisible Store |
Agentur | Publicis Italy |
Kampagne | The Invisible Store |
Werbende | Bottega Veneta |
Marke | Bottega Veneta |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 / 7 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Medientyp | POS Display/Merchandising |
Länge | |
Creative Agency | Independent Ideas |
Global Chief Creative Officer | Bruno Bertelli |
Chief Creative Officer | Cristiana Boccassini |
Executive Creative Director | Erick Loi |
Global Creative Director | Sandra Bold |
Creative Director | Costanza Rossi |
Direktor Kundenservice | Benedetta Virga |
Direktor Kundenservice | Cabiria Grachelli |
Account Supervisor | Alberto De Simone |
Art Director | Alberto Santoro |
Art Director | Matteo Tommasi |
Texter | Rajiv Olivato |
Texter | Edoardo Cervigni |
13. Diesel / The Most Expensive T-Shirt
Titel | The Most Expensive T-Shirt |
Titel (Originalsprache) | The Condo T-Shirts |
Agentur | Small |
Kampagne | The Most Expensive T-Shirt |
Werbende | Diesel |
Marke | Diesel |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 12 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Medientyp | Interaktiv |
Länge | |
Executive Creative Director | Luca Pannese |
Executive Creative Director | Luca Lorenzini |
Produktionsfirma | MYGOSH |
Executive Producer | Natali Sussman |
Regisseur | Hernan Corera |
Direktor Fotografie | Mariano Monti |
Kolorist | Alejandra Lescano |
Redaktionsbüro | Run Zebra Run |
Sound Design and Mix | PICKLE MUSIC |
Sound Engineer | Dario Zarember |
14. Diesel / Francesca
Titel | Francesca |
Agentur | Publicis Italy |
Kampagne | Francesca |
Werbende | Diesel |
Marke | Diesel |
Posted | April 2021 |
Geschäftsbereich | Mode, Kleidung & Schuhe |
Medientyp | Andere |
Länge | |
Global CCO Publicis WW | Bruno Bertelli |
CCO Publicis Italy | Cristiana Boccassini |
Mihnea Gheorghiu | |
Thiago Cruz | |
Art Director | Mattia Mingardo |
Texter | Silvia Serreli |
Strategieplaner | Monica Radulescu |
Etatdirektor | Filippo DAndrea |
Etatdirektor | Ilaria Castiglioni |
Kundenbetreuer | Mirko de Martini |
Agency Producer | Anna Sica |
Social Media Manager | Saraluna Micciche |
Social Media Manager | Strategy |
MSL Group Director | Kim Piquet |
Directed | François Rousselet |
Produced | Division |
Filmproduzent/Produzent | Jules de Chateleux |
Direktor Fotografie | Matias Boucard |
Cutter | Nicolas Larrouquere |
Herstellungsleiter | Alexis Fonvieille |
Art Department | Olga Zlobina |
Spezialeffekte | Sébastien Noyon |
Supervisor | Franck Lambertz |
Flame Artist | Flore Mounier |
Grader | Arthur Paux |
Grader Assistant | Loic Lavaux |
Music Creative Director | Jules de Chateleux |
Musik | Sizzer |
Leitung Musik | Michael Bertoldini |
Music Producer | Seppl Kretz |
15. Audemars Piguet / Musée Atelier Audemars Piguet
Titel | Musée Atelier Audemars Piguet |
Agentur | Atelier Brückner |
Kampagne | Musée Atelier Audemars Piguet |
Werbende | Audemars Piguet |
Marke | Audemars Piguet |
Posted | JunI 2021 |
Geschäftsbereich | Uhren |
Medientyp | Außenwerbung |
Länge | |
Markt | Dänemark |
Produktionsfirma | Atelier Brückner |
Architectural Designs | BIG Bjarke Ingels |
Produktionsfirma | LDE Belzner Holmes |
Medienagentur | medienprojekt p2 |