Titel | Rise and Shine |
Agentur | LIGHT+CO |
Kampagne | Rise and Shine |
Werbende | New Orleans Jazz & Heritage Foundation |
Marke | New Orleans Jazz & Heritage Foundation |
Datum der ersten Ausstrahlung/Veröffentlichung | 2021 / 2 |
Geschäftsbereich | Kultur, Freizeit & Sport |
Slogan | Have you ever been saved by a song? |
Philosophie | When the COVID-19 pandemic rolled across the globe, it silenced live music everywhere. Perhaps nowhere was that silence more deafening than New Orleans. To help offset the fallout for struggling musicians, the New Orleans Jazz & Heritage Foundation launched a Music Relief Fund last spring. Through their efforts, they’ve distributed more than $1MM to musicians across Louisiana. And this year on February 9, one week before we endure a silent Mardi Gras, the New Orleans Jazz & Heritage Foundation will commence the next wave of relief efforts in partnership with independent creative agency LIGHT+CO, by asking people everywhere a simple question: Have you ever been saved by a song? Jazz & Heritage Foundation’s latest effort will kick off with a PSA entitled "Rise and Shine" -- helmed by director Benjamin Sonntag and featuring New Orleans' own Troy “Trombone Shorty” Andrews -- created to reawaken the New Orleans and to invite music lovers everywhere to join together and help the city's sound carry on for generations to come. |
Medientyp | Internet-Film |
Länge | |
Soundtrack | "Everything I Do Gohn Be Funky (From Now On)" |
Werbeleiter | Kia Robinson |
Werbeleiter | Troy Andrews |
Werbeleiter | Bill Taylor |
Werbeleiter | Don Marshall |
Werbeleiter | Asia Muhaimin |
Werbeleiter | George Wilde |
Founder / Chief Executive Officer (CEO) | David Cameron |
Gründer | Pamela Cameron |
Etatdirektor | Diana Gonzalez-Cash |
Executive Creative Director, Writer | Sean Vij |
Creative Director, Art Director | Bryan Carroll |
Agency Producer | Chris Capretto |
Business Affairs Manager | Adam Caviezel |
Very Special Thanks | Laura Ferguson |
Very Special Thanks | Stanton Hill |
Very Special Thanks | Janet Wollman |
Very Special Thanks | Freddy Jones |
Very Special Thanks | Amanda Rizzo |
Produktionsfirma | Twisted Fiction |
Regisseur | Ben Sonntag |
Herstellungsleiter | Maury Strong |
Direktor Fotografie | Michael "Cambio" Fernandez |
Drone Operator | Gabriel Velasco |
Gaffer | Chip Carey |
Key Grip | Lucas Porterfield |
Sound / Playback | Eric Ledet |
Key Prop | Chere Theriot |
Location Manager | Leonard Reynolds |
Production Supervisor | Tracy Keller |
Creative Representative | Jill Rheel |
Redaktionsbüro | Cabin Edit |
Cutter | Rob Watzke |
Editorial Producer | Katy Lester |
Assistenzredakteur | Jonatas da Silva |
Geschäftsführender Teilhaber | Carr Schilling |
Editorial Company Executive Producer | Adam Becht |
Post-Produktion | Shape + Light |
Creative Director | Rob Trent |
Executive Post Producer | Cara Lehr |
VFX Producer | Crystal Rossmann |
Musik | Venn Arts |
Musik | Found Objects |
Leitung Musik | Jonathan Hecht |
Leitung Musik | Sarah Tembeckjian |
Music Executive Creative Director | Jay Wadley |
Music Executive Creative Director | Trevor Gureckis |
Executive Music Producer | Jennie Armon |
Music Creative Director | Ben Marshall |
Music Creative | Adam Weiss |
Musikalische Bearbeitung | Nadav Nirenberg |
Music Producer | Nick Chomowicz |
Music Coordinator | Agatha Lee |
Recording Audio Engineer | Derik Lee |
Music Head of Production | Matt Nelson |
Musician | Troy Andrews |
Musician | Julian Gosin |
Musician | Roger Lewis |
Musician | Chauncey Yearwood |
Musician | Gabe Medd |
Musician | Evan Margulies |
Musician | Nora Nalepka |
Musician | Morgan Price |
Sound Design and Mix | Eleven |
Sound Design and Mix | Jeff Payne |
Sound Design and Mix | Jordan Meltzer |
Assistant Mixer | Andrew Smith |
Assistant Mixer | Marco Tornillo |
Mix Executive Producer | Melissa Elston |
Kolorierung | a52 color |
Kolorist | Gregory Reese |
Color Producer | Jenny Bright |
Executive Producer Color | Thatcher Peterson |
Komponist | Allen Toussaint |
Master Use | Blue Note Records |