Projektmanager
at
Final Cut Editorial
| Titel | Audi Daughter 60 013017 QAOA8114000H copy 2 |
| Agentur | Venables Bell + Partners |
| Kampagne | Daughter |
| Werbende | Venables Bell Partners |
| Marke | Audi of America |
| Datum der ersten Ausstrahlung/Veröffentlichung | 2017 / 2 |
| Geschäftsbereich | Autos |
| Medientyp | Fernsehen |
| Länge | |
| Produktionsfirma | Human |
| VFX Company | Electric Theatre Collective |
| Executive Creative Director | Will McGinness |
| Creative Director | Justin Moore |
| Stellvertretender Creative Director | Allison Hayes |
| Texter | Mike McGuire |
| Texter | Kathy Hepinstall |
| Director of Integrated Production | Craig Allen |
| Produzent | Matt Flaker |
| Head of Brand Management | David Corns |
| Brand Manager | Abu Ngauju |
| Brand Manager | Hope Stadulis |
| Group Strategy Director | Tonia Lowe |
| Director of Business Affairs | Quynh-An Phan |
| Projektmanager | Leah Murphy |
| Produktionsfirma | Somesuch |
| Regisseur | Aoife McArdle |
| Executive Producer | Nicky Barnes |
| Executive Producer | Sally Campbell |
| Produzent | Grace Bodie |
| Redaktionsbüro | Work Editorial |
| Cutter | Stewart Reeves |
| Assistenzredakteur | Josh Sasson |
| Assistenzredakteur | Erik Vogt-Nilsen |
| Executive Producer | Marlo Baird |
| Produzent | Lynne Mannino |
| Komponist | John Christopher Barnes |
| Creative Director | Craig Deleon |
| Executive Producer | Jonathan Sanford |
| Tonstudio | Lime Studios |
| Sounddesigner | Matt Miller |
| 2D-Lead | Adam Watson |
| VFX Producer | Catherine Yi |
| Kolorierung | Company 3 |
| Kolorist | Stefan Sonnenfeld |
| Produzent | Katie Andrews |
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