Titel | 'Twas the 4th Night |
Agentur | MullenLowe U.S. |
Kampagne | 'Twas the 4th Night |
Werbende | KFC |
Marke | KFC |
Datum der ersten Ausstrahlung/Veröffentlichung | 2022 / 11 |
Geschäftsbereich | Nahrungsmittel |
Slogan | That's finger-lickin' good |
Story | What day is it? What year is it? Why is Uncle Larry still here? More importantly, what’s for dinner? This holiday season, MullenLoweBOS new work for KFC invites you to treat yourself (and your loved ones) to a finger-lickin’ good meal on those days where nobody can muster up the strength to cook. |
Medientyp | Fernsehen |
Länge | |
Redaktionsbüro | Cartel |
Mix Company | Sonic Union |
Executive Creative Director | Tim Vaccarino |
Executive Creative Director | Dave Weist |
Group Creative Director | Enrique Camacho |
ACD | Pat Harrington |
Writer | Pat Harrington |
ACD | Kelly Nichols |
Art | Kelly Nichols |
Designer | Tarin Karimbux |
Social Art Director | Jessica Navarrette |
Social Copywriter | Nick Gonzales |
Group Executive Producer | Karen Haffmans |
Senior Producer | Carissa Marlowe |
Assistant Producer | Dendra Allen |
Group Strategy Director | Mike Cassell |
Strategy Director | Jasmin Esquivel |
Etatdirektor | Cameron Burnham |
Etatdirektor | Charlie Doyle |
Account Supervisor | Ghada Ramadan |
Account Executive | MarHadoo Jones |
Projektmanager | Tatiana Bueno |
Assistent Projektmanagement | Christine Carugati |
Produktionsfirma | Reset |
Regisseur | Henry Scholfield |
Direktor Fotografie | Hoyte Van Hoytema |
Executive Producer | Jen Beitler |
Filmproduzent/Produzent | Kristin Porter |
Cutter | Adam Robinson |
Cutter | Eddie Ringer |
Executive Post Producer | Evyn Bruce |
Post-Produktion | Sarah Cassell |
VFX Company | Transformer |
Spezialeffekte | Casey Price |
VFX Executive Producer | Emily Evoujageli |
Spezialeffekte | Caroline Anguiano |
Kolorierung | Ethos studio |
Kolorierung | Kaitlyn Battistelli |
Musik | We Are Walker |
Mix Producer | Pat Sullivan |
Mix Engineer | Steve Rosen |
Mix Engineer | Fernando Ascani |