| Titel | BRAVIA drome |
| Agentur | Fallon |
| Kampagne | BRAVIA drome |
| Werbende | Sony Corporation of America |
| Marke | Sony Bravia |
| Posted | Februar 2009 |
| Produkt | Motionflow 200Hz |
| Geschäftsbereich | Unterhaltungselektronik & Audio- und Videogeräte |
| Story | A serie of still images of Kaka performing his dazzling ball skills were captured and inserted inside the zoetrope. When viewed through the small slits on the outside of the zoetrope, as it rotates at speeds up to 50 km per hour, the illustion of smooth motion is created. It created a spectable that drew large crowds in the town square of Venaria near Turin. |
| Problem | Sony BRAVIA's Motionflow 200Hz is a new technology which refreshes the screen four times faster than conventional TVs, reducing blur and judder, thus giving the viewer the smoothest picture ever. |
| Medientyp | Fernsehen |
| Länge | |
| Markt | Großbritannien |
| Soundtrack | Underdog |
| Produktionsfirma | Ridley Scott Creative Group |
| Redaktionsbüro | Final Cut |
| Post-Produktion | MPC LDN |
| Audio-Postproduktion | Wave Studios |
| Werbeleiter | Giles Morrison |
| Executive Creative Director | Richard Flintham |
| Creative Director | Graham Storey |
| Creative Director | Phil Cockrell |
| Etatdirektor | Ben Cyzer |
| Etatdirektor | Richard Fearn |
| Etat-Planer | Gareth Goodall |
| Agency Producer | Tracy Stokes |
| Regisseur | Vernie Yeung |
| Filmproduzent/Produzent | Emma Cairns |
| Filmproduzent/Produzent | Matthew Fone |
| Cutter | Joe Guest |
| Musik | Kasabian |
| Audio-Postproduktion | Parv Thind |
| Schauspieler | Ricardo Kaká |
| Direktor Fotografie | Mattias Montero |