Titel | The new Audi Q7 - Worth the wait |
Agentur | The Monkeys |
Kampagne | Irresistibly Advanced |
Werbende | Audi |
Marke | Audi Q Range |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 / 8 |
Geschäftsbereich | Allradantrieb |
Medientyp | Fernsehen |
Länge | |
Markt | Vereinigte Staaten von Amerika |
Soundtrack | Re-record of 'Strangers In The Night' |
Chief Marketing Officer (CMO) | Nikki Warburton |
Brand Marketing Manager | Andrew Younis |
Werbeleiter | Kit Bashford |
Werbeleiter | Mick Colgan |
Chief Creative Officer | Scott Nowell |
Creative Director | Scott Dettrick |
Texter | Harry Boothman |
Texter | Bart Pawlak |
Art Director | Joash Tham |
Art Director | Simon Cox |
Designer | Mel Watson |
Produktionsleitung | Penny Brown |
Agentur TV-Produzent | Kaija Wall |
Integrated Producer | Tanith Williamson |
Geschäftsführer | Matthew Michael |
Group Account Director | Shannon Duhig |
Content Manager | Ruth Peck |
Business Strategy Director | Kit Landsdel |
Produktionsfirma | Sweetshop |
Regisseur | Noah Marshall |
Regisseur | Nick Kelly |
Direktor Fotografie | Stefan Duscio |
Executive Producer | Llew Griffiths |
Geschäftsführer | Edward Pontifex |
Casting | Mullinars Casting Sydney |
Redaktionsbüro | The Editors Sydney |
Cutter | Tim Mauger |
Zeichner | Stuart Cadzow |
Kolorist | Tom Poole |
Kolorierung | Company 3 |
Executive Producer | Alistair Pratten |
Musiklizenzen | Turning Studios |
Komponist | Elliot Wheeler |
Music Producer | Carla de Menezes Ribeiro |
Mix Company | Song Zu |
Mix Producer | Katrina Aquilia |
Sound Engineer | Simon Kane |
Music Publishing | Level Two Music |
Music Publishing | Universal Music |
Produktionsfirma | Flint |
Fotograf | Andreas Smetana |
Produktion Fotografie | Tim Berriman |
Photography Retoucher | Cream Electric Art |
Production Partner | Adam Johnson Design |
Creative Director | Adam Johnson |