Titel | The Chase |
Agentur | adam&eveDDB |
Kampagne | The Chase |
Werbende | Camelot Group |
Marke | The National Lottery |
Datum der ersten Ausstrahlung/Veröffentlichung | 2022 / 6 |
Geschäftsbereich | Lotterie & Glücksspiele |
Medientyp | Interaktiv |
Länge | |
Audio-Postproduktion | 750mph |
Group Executive Creative Director | Ben Tollett |
Creative Director | Mark Lewis |
Creative Director | Matt Fitch |
Social Creative | Matthew Osbourne |
Social Creative | Judith Tulkens |
Produzent | Mary Fostiropoulos |
Produzent | Clio McLeary |
Produzent | Panos Louca |
Assistant Producer | Giulia Mereu |
Produktionsfirma | Arts & Sciences |
Directors | THE BOBBSEY TWINS FROM HOMICIDE |
DP | Alex Barber |
Produzent | Emma Butterworth |
Partner/Executive Producer | James Bland |
Produktionsmanager | Julia Guignabel |
Produktionsdesigner | Chris Oddy |
Kostüme | Lucy Hagan |
B-unit Director | Frank Atlantic |
B-unit Producer | Lauren Highman |
Hero casting | Ali Fearnley |
Redaktionsbüro | Stitch |
Cutter | Leo King |
Cutter | Max Windows |
Post-Produktion | Black Kite Studios |
Aufnahmeleiter | Tito Fernandes |
VFX Supervisor | Paul Wilmot |
CG Lead | James Hansell |
Kolorist | George Kyriacou |
B-unit Flame Lead | Mark Stannard |
Produzent Post-Produktion | Phil Whalley |
Sound Engineer | Sam Ashwell |
Sound Engineer | Jake Ashwell |
Audio Producer | Martin Critchley |
Audio Producer | Olivia Ray |
Musik | Theodore music |
Leitung Musik | Tom Stanford |