| Titel | They're Boots Darling |
| Agentur | Ogilvy UK |
| Kampagne | They're Boots Darling |
| Werbende | Boots |
| Marke | Boots Opticians |
| Datum der ersten Ausstrahlung/Veröffentlichung | 2020 / 1 |
| Geschäftsbereich | Optiker |
| Medientyp | Fernsehen |
| Länge | |
| Soundtrack | I migliori anni della nostra vita '50 |
| Redaktionsbüro | The Assembly Rooms |
| Chief Creative Officer | Jules Chalkley |
| Executive Creative Director | Sam Cartmell |
| Creative Teammitglied | Dave Anderson |
| Creative Teammitglied | Ian Brassett |
| Executive Client Lead | Fiona Gordon |
| Etatdirektor | Michele Lardner |
| Social Media Expert | Thomas Wigley |
| Strategist | Charlotte Walters |
| Agency Executive Producer | Sally Miller |
| Assistant Agency Producer | Ancika Mester |
| Marketing Director | Madeline Shaw |
| Marketing Manager | Gail Borley |
| Assistant Marketing Manager | Joseph Cunningham |
| Marketing Manager | Guy Smith |
| Produktionsfirma | Academy Films |
| Regisseur | Vince Squibb |
| Assistant Director | Jez Oakley |
| Executive Producer | Mark W Williams |
| Herstellungsleiter | Alice Hopgod |
| Direktor Fotografie | Daniel Voldheim |
| Cutter | Sam Rice-Edwards |
| Filmproduzent/Produzent | Daniel Brehemy |
| Grading/Online | The Mill London |
| Kolorist | Seamus OKane |
| Colour Producer | Charlie Morris |
| Post-Produktion | Carlos Herrera GPS |
| Post-Produktion | Annika Gustavsson |
| Tonstudio | GPS |
| Sound Engineer | Toby Griffin |
| Musik | One More Music Company |
| Zeichner | Fred Buscaglione |
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