| Titel | Day After |
| Agentur | Absolute |
| Kampagne | New York City Marathon 2010 |
| Werbende | New York Road Runners |
| Marke | New York Road Runners |
| Datum der ersten Ausstrahlung/Veröffentlichung | 2010 / 11 |
| Geschäftsbereich | Festivals & Messen |
| Philosophie | Flashing forward post-marathon, Day After follows various New York runners heading back to work with geriatric-like stiffness from the race. The intimate yet hilarious spot freezes the frame on runners during moments of physical limitation-- struggling to put jeans on, walking down stoop stairs backwards, getting into cabs with legs outstretched, hobbling down hallways at work, maneuvering through subway turnstiles and just barely making the closing elevator doors- as a stop clock simultaneously appears above their heads, gloriously displaying their names and their final times. |
| Medientyp | Fernsehen |
| Soundtrack | A Good Day for a Jog |
| Filmübertragung | Absolute Post |
| Spezialeffekte | Absolute Post |
| Redaktionsbüro | Peepshow Post Productions |
| Tonstudio | T. Terressa Tate |
| Tonstudio | The Royal T Room |
| Executive Producer | Michelle Curran |
| Komponist | Soundmakers |
| Musik | Amber Music |
| Kolorist | James Cornwell |
| Produzent | John Skeffington |
| Executive Producer | Sally Heath |
| Zeichner | James Cornwell |
| Executive Producer | deborah sullivan |
| Cutter | Richard Mettle |
| Produzent | Claire Pacacha |
| Direktor Fotografie | Derek McKane |
| Regisseur | Paul Riccio |
| Produktionsfirma | Sandwick Media |
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