Titel | 30,000 is the Loneliest Number |
Agentur | T&Pm |
Kampagne | 30,000 is the loneliest number |
Werbende | Until The Last Child |
Marke | Until The Last Child |
Datum der ersten Ausstrahlung/Veröffentlichung | 2017 / 2 |
Geschäftsbereich | Gemeinnützige Organisationen |
Medientyp | Interaktiv |
Länge | |
Art Director | Jennifer Saunders |
Texter | Nabil Rachid |
Kundenbetreuer | Lindsay Di Tolla |
Agency Producer | Kasia Zeniuk |
Produktionsfirma | Heyd & Seek |
Executive Producer | Kegan Sant |
Executive Producer | Cynthia Heyd |
Filmproduzent/Produzent | Ben Robinson |
Filmproduzent/Produzent | Vinny Gill |
Cutter | Jesse Blight |
Camera Assistant | Alex Dematto |
Casting | Stephen Milo |
Talent | Liana |
Movi Op / Drone Op | Yuri Tereshyn |
Gaffer | Todd Hamacher |
Best Boy Electric | Adam Landuci |
Grip | Mark Skinner |
Best Boy Grip | Luke Saagi |
DIT | Andrew Easson |
Make-Up Artist | Dawn Grant |
Produktionsassistant | Jonathan Kok |
Produktionsassistant | Bradley John Chowace |
Produktionsassistant | Dean Turner |
Produktionsassistant | Bryan Beerbaum |
Produktionsassistant | Shawn Robertson |
Post-Produktion | Redlab |
Kolorist | Jason Zukowski |
Online Artist | Andy Hunter |
Filmproduzent/Produzent | Pallavi Joshi-Firby |
Executive Producer | Laurie Kerr Jones |
Audio | Pirate |
Track Director | Vanya Drakul |
Arrangement | Ari Posner |
Mixer | Ian Boddy |
Filmproduzent/Produzent | Maggie Blouin Pearl |