Titel | Hope |
Agentur | Sra. Rushmore |
Kampagne | Hope |
Werbende | International Commitee of Red Cross |
Marke | ICRC International Commitee of Red Cross |
Datum der ersten Ausstrahlung/Veröffentlichung | 2018 / 5 |
Geschäftsbereich | Gemeinnützige Organisationen |
Story | A man drives through a war-torn country as his daughter sprawls on the back seat, badly wounded. The tension mounts as both he and we realise that she will die if she doesn't get help soon. Our empathy is heightened by the direction, the fast editing and the colour palette, which create a powerful sense of place and take us inside the car. Finally, when the man carries the girl the last few metres to the hospital, he sees it has been destroyed by a bomb. Healthcare should not be a target. |
Medientyp | Internet-Film |
Länge | |
Markt | Großbritannien |
Leitung Musik | SIREN |
Tonstudio | Factory Studios |
Produktionsfirma | BLUR Films |
Executive Producer | Pablo García Acón |
Regisseur | James Rouse |
Direktor Fotografie | Alexander Malman |
Produzent | Laia Vidal |
Komponist | Jon Clarke |
Sounddesigner | Anthony Moore |
International Producer | Pablo Herraiz |
Direktor Fotografie | Alexander Melman |
Produktionsmanager | Javier Lara |
Service Production Company | Clandestino Films Beirut |
Art Director | Marianne Taouk |
Produzent | Vanessa San Millán |
Casting Director | Mia Daibess |
CG styling | Marianne Taouk |
Hair & make up | Joana Kamar Hayet |
Post-Produktion | Tamara Diaz |
VFX/Post Production | Twin Pines VFX |
Redaktionsbüro | Art Jones |
Redaktionsbüro | Work Editorial |
Endbearbeitung | Rocio Pérez |
Sound Design and Mix | Anthony Moore |
Executive Audio Producer | Becs Bell |
Composer Producer | Jon Clarke |
Music Production Company | SIREN |