| Titel | 10,000 Price Promises |
| Agentur | St. Luke’s Communications |
| Kampagne | 10,000 Price Promises |
| Werbende | Ocado |
| Marke | Ocado |
| Datum der ersten Ausstrahlung/Veröffentlichung | 2023 / 5 |
| Geschäftsbereich | Online-Verkauf, E-commerce |
| Story | In the 30-second film “10,000 Price Promises”, our protagonist is first alerted to a strange presence in her kitchen when her dog looks quizzically at her bread bin. It begins moving of its own accord, eventually pinging open to reveal a value roundel bobbing away next to her crumpets and mixed seed deli rolls. The pinging sweeps across the kitchen, with a pull-out shelf pushing itself out to show cans, jars and packages and numerous value roundels, only for the fridge and freezer to get in on the act too. The protagonist’s attention then turns to a wall cabinet as it flings open, with thousands more value roundels toppling out and filling her kitchen – a physical representation of just how extensive the Ocado Price Promise is. As the woman and her dog emerge from the avalanche, the voiceover reminds viewers that if their like-for-like shop on Ocado isn’t already cheaper than Tesco.com, customers are given a voucher for the difference. |
| Philosophie | Ocado, the world’s largest dedicated online grocery retailer, is launching a new nationwide advertising campaign promoting its Ocado Price Promise value proposition, for the summer. Created by independent creative agency St Luke’s, the multi-media campaign leads with a TV spot in which, to illustrate just how extensive this is, St Luke’s subverts the superimposed “value” icons that typically ping onto screens out of nowhere in supermarket TV ads, by turning them into physical roundels. All the Ocado Price Promise assets used in the advert including the design of the roundel, and website, were designed by Ocado’s creative team. The campaign breaks on 22 May and runs on TV, video-on-demand services, YouTube, social media and digital until July. Media planning and buying for the campaign is through Hearts & Science and Threepipe. |
| Medientyp | Fernsehen |
| Länge | |
| Tonstudio | Jungle Studios |
| Werbeleiter | Sarah Emerson |
| Werbeleiter | Alex Raybould |
| Werbeleiter | Kate Kennedy |
| Werbeleiter | Muna Ali |
| Joint Chief Creative Officer | Al Young |
| Kreativpartner | Julian Vizard |
| Copywriter / Art Director | Joanne Boyle |
| Copywriter / Art Director | Hannah Talbut |
| Agency Producer | Jenny Busby |
| Planner | Charlotte Walters |
| Kaufmännischer Geschäftsführer | Anastasia Terzeon |
| Senior Account Director | Claire Smith |
| Etatdirektor | Charlotte Crawley |
| Regisseur | Fatal Farm |
| Produzent | Harry Chambers |
| Executive Producer | Andy Eaton |
| Cutter | Martin Fickling |
| Post-Produktion | Agile studio |
| Direktor Fotografie | Theo Garland |
| Produktionsdesigner | Sets Appeals |
| 1st AD | James Dyer |
| Stylist | Mekel Bailey |
| HMUA | Sogol Razi |
| Sounddesigner | Ben Leeves |
| Media planning/buying | Hearts & Science |
| Media planning/buying | Threepipe Communications Ltd |
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