Titel | The Refugee Tree (206s) |
Brief | To inform the devastation and uncontrolled exploitation of forests in Brazil, with an increase in deforestation and fires that destroy entire biomes, the film narrates the journey of a refugee tree, the Jatobá, one of the many species in risk of extinction in the region, who decided to seek refuge in the embassies of foreign countries because they were in danger in their territory of origin.The highlight of the film is the dramatic soundtrack that illustrates the urgency of the subject. The indigenous song that permeates the film is a marriage rite, an interesting counterpoint since it's as joyful as it its sung with sadness. Likewise, the melodic element that is fused with the string quartet is a saw, played with a bow, not a violin. The semiotics behind doing it with elements that symbolizes deforestation helps the struggle. |
Agentur |
Africa
|
Kampagne |
Refugee Tree
|
Werbende |
Climate Reality Brasil
|
Marke |
Institutional
|
Posted | Dezember 2020 |
Geschäftsbereich | Gemeinnützige Organisationen
|
Story | To inform the devastation and uncontrolled exploitation of forests in Brazil, with an increase in deforestation and fires that destroy entire biomes, the film narrates the journey of a refugee tree, the Jatobá, one of the many species in risk of extinction in the region, who decided to seek refuge in the embassies of foreign countries because they were in danger in their territory of origin.The highlight of the film is the dramatic soundtrack that illustrates the urgency of the subject. The indigenous song that permeates the film is a marriage rite, an interesting counterpoint since it's as joyful as it its sung with sadness. Likewise, the melodic element that is fused with the string quartet is a saw, played with a bow, not a violin. The semiotics behind doing it with elements that symbolizes deforestation helps the struggle. |
Medientyp |
Case Study
|
Chief Creative Officer |
Sergio Gordilho
|
Executive Creative Director |
Felipe Cury
|
Executive Creative Director |
Philippe Degen
|
Creative Director |
Greg Kickow
|
Creative Director |
Felipe Cirino
|
Art Director |
Caio Gandolfi
|
Art Director |
Thiago Andrade
|
Texter |
Diego Ferrite
|
Texter |
Giulio Beloto
|
Designer |
Greg Kickow
|
Designer |
Marina Cota
|
Designer |
Thiago Andrade
|
Creative Director |
Monique Lopes Lima
|
Creative Director |
Juliana Leite
|
Projektmanager |
Lica de Souza
|
Projektmanager |
Fernanda Segura
|
Projektmanager |
Fernando Alonso
|
Projektmanager |
Isabela Levy
|
PR |
Fabiana Antacli
|
PR |
Carina Miranda
|
Chief Technology Officer |
Fabio Palma Digital
|
Produktionsleitung |
Fernando Tolusso Adtech
|
Projektmanager |
Leonardo Gomes
|
Agency Producer |
Rodrigo Ferrari
|
Agency Producer |
Tais Olhiara
|
Agency Producer |
Fernanda Segura
|
Produktionsfirma |
Hungry Man
|
Regisseur |
JC Feyer
|
Geschäftsführender Teilhaber |
Alex Mehedff
|
Executive Producer |
Renata Corrêa
|
Executive Producer |
Rodrigo Castello
|
Business Affairs |
Iris Gil
|
Production Director |
Gustavo Morozini
|
Direktor Fotografie |
Gabriel Bianchini
|
Produktionsleitung |
Luciana Martins
|
Produktionkoordinator |
Derbiz Lemes
|
Spezialeffekte |
Miagui
|
Spezialeffekte |
Warriors VFX
|
Post-Produktion |
Hungry Man
|
Cutter |
Vitor Amorim
|
Cutter |
JC Feyer
|
Kolorist |
Marla Colour Grading
|
Leiter Kundenkontakt |
Cristiana Frank
|
Leiter Kundenkontakt |
Daniela Sostisso
|
Kundenbetreuer |
Diego Batista
|
Kundenbetreuer |
Jessica Rodrigues
|
Tonproduktion |
DaHouse Audio
|