| Titel | Welcome To The Club |
| Agentur | Wieden + Kennedy |
| Kampagne | Welcome To The Club |
| Werbende | Ford Motor Company |
| Marke | Ford Mustang |
| Datum der ersten Ausstrahlung/Veröffentlichung | 2023 / 10 |
| Geschäftsbereich | Autos |
| Medientyp | Branded Content |
| Länge | |
| Soundtrack | “Stoned on Ocean” from artist/writer Curren$y |
| Redaktionsbüro | Final Cut |
| Werbeleiter | Jess Muir |
| President | Jiah Choi |
| Chief Creative Officer | Marques Gartrell |
| Executive Creative Director | Eric Helin |
| Executive Creative Director | Stuart Jennings |
| Creative Director | Dan Peters |
| Creative Director | Reef Younis |
| Art Director | Dylan Simel |
| Texter | Nickolas Sugai |
| Produktionsleitung | Nick Setounski |
| Agency Executive Producer | Jessica Griffeth |
| Senior Agency Producer | Jake Freeman |
| Designer | Zachary Winterton |
| Studio Artist | Erica Remmele |
| Group Strategy Director | Alix Toothman |
| Group Social Strategy Director | Caroline Tseng |
| Strategist | Darren Wong |
| Produktionsfirma | RSA Films |
| Regisseur | Jared Malik Royal |
| Co-Writer | Rivers Cahee |
| President / Executive Producer | Luke Ricci |
| Executive Producer | Matilde Ramos Pinto |
| Herstellungsleiter | Jeremy Blum |
| Produktionkoordinator | Natalie Orsi |
| DP | Danyal Niazi |
| Cutter | Matt Carter |
| Assistenzredakteur | Kaylin Smida |
| Produzent Post-Produktion | Michael Dart Wadsworth |
| Produzent Post-Produktion | Laura Mirabella |
| Executive Post Producer | Sarah Roebuck |
| Kolorierung | Rare Medium Group Inc. |
| Kolorist | Mikey Rossiter |
| Senior Color Producer | Heath Raymond |
| Musik | Jet Life Recordings |
| Musik | Black Cloud |
| MUSIC Artist | EJ2 |
| MUSIC Artist | Motif |
| Tonstudio | Machine Sound |
| Sound Engineer | Alex Bingham |
| Sound Engineer Assistant | Chantelle Donovan |
| Sound Engineer Assistant | Nicole Watlington |
| Executive Sound Producer | Matej Oreskovic |
| Produzent Ton | Andi Lewis |
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