AS AN INDUSTRY EMBRACES CHANGE, ELECTRIC AND DIGITAL CAMPAIGNS ZOOM INTO LEADING POSITIONS.
The auto line-up looks radically different from the past two years, when Volvo, VW and Mercedes-Benz dominated the top five. It’s also indicative of a changing industry, with the shift to electric coming very much to the fore. The most awarded campaigns tended to be branded content or digital initiatives, but in the top slot is the beautifully crafted “Upstream” film for Toyota, from Saatchi & Saatchi US, featuring paralympic swimming champ Jessica Long. Publicis Conseil follow with a compelling project that turned a French village 100% electric, car-wise. The United Arab Emirates breaks into the top five thanks to “MINImalism”, a perfectly on-brand graphic campaign. Audi’s “Don’t Hate, Imitate” from POL Oslo used humour to promote Norway’s electric car leadership. And Commonwealth/McCann devised a rugged real-life adventure for Chevrolet.
The auto line-up looks radically different from the past two years, when Volvo, VW and Mercedes-Benz dominated the top five. It’s also indicative of a changing industry, with the shift to electric coming very much to the fore. The most awarded campaigns tended to be branded content or digital initiatives, but in the top slot is the beautifully crafted “Upstream” film for Toyota, from Saatchi & Saatchi US, featuring paralympic swimming champ Jessica Long. Publicis Conseil follow with a compelling project that turned a French village 100% electric, car-wise. The United Arab Emirates breaks into the top five thanks to “MINImalism”, a perfectly on-brand graphic campaign. Audi’s “Don’t Hate, Imitate” from POL Oslo used humour to promote Norway’s electric car leadership. And Commonwealth/McCann devised a rugged real-life adventure for Chevrolet.
Most awarded
campaigns, brands &
agencies in
Automotive in
2021
Most awarded
campaigns, brands and
agencies in
Automotive in
2021
CAMPAIGNS
BRANDS
Brand | ||
---|---|---|
1 | Volvo | |
2 | Volkswagen | |
3 | Mini | |
4 | Toyota | |
5 | Renault |
AGENCIES
Name | ||
---|---|---|
1 | HoC Dubai | |
2 | Forsman & Bodenfors Göteborg | |
3 | Publicis Conseil, Paris | |
4 | Saatchi & Saatchi NY, New York | |
5 | POL Oslo |
Watch
1. Toyota / Upstream
Titel | Upstream |
Agentur | Saatchi & Saatchi NY |
Kampagne | Upstream |
Werbende | Toyota Motor Corporation |
Marke | Toyota |
Datum der ersten Ausstrahlung/Veröffentlichung | 2021 / 1 |
Geschäftsbereich | Kraftfahrzeuge |
Story | To capture the distinct parallels between fragmented memories and the way swimmers catch snippets of the world as they glide through the water, the VFX team enhanced the tone of the film and purity of message through set and water extensions combined with extensive relighting experimentation.As the set builds and pools were filmed separately, meticulous attention to detail by the supervisor ensured that the two worlds aligned. Leveraging an array of tools including Maya, Houdini, Flame, 3D Equalizer and Reality Capture, the team created the convincingly surreal pools in various interior environments.The water itself, is mixed with the evolving |
Medientyp | Fernsehen |
Länge | |
Redaktionsbüro | Final Cut |
Produktionsfirma | @radical.media |
Regisseur | Tarsem Singh "Tarsem" |
Executive Producer | Jim Bouvet |
Herstellungsleiter | Jeremy Barrett |
Direktor Fotografie | Paul Meyers |
Cutter | Joe Guest |
Filmübertragung | CO3 (New York) |
Kolorist | Jill Bogdanowicz |
VFX Company | Framestore |
Musik | The Elements Music |
Komponist | Norman Kim |
Tonstudio | LSD |
Sounddesigner | Michael Anastasi |
Audio-Postproduktion | Lime Studios |
Chief Creative Officer | Jason Schragger |
Executive Creative Director | Fábio Costa |
Group Creative Director | Marc d’Avignon |
Stellvertretender Creative Director | Yusong Zhang |
Stellvertretender Creative Director | Alice Blastorah |
Art Director | Alice Blastorah |
Art Director | Yusong Zhang |
Stellvertretender Creative Director | Britt Wilen |
Texter | Britt Wilen |
2. Renault Zoe / 100% electric vehicles town
Titel | 100% electric vehicles town |
Titel (Originalsprache) | La ville 100% électrique |
Agentur | Publicis Conseil |
Kampagne | 100% electric vehicles town |
Werbende | Renault |
Marke | Renault Zoe |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 / 10 |
Geschäftsbereich | Autos |
Medientyp | Branded Content |
Länge | |
President | Marco Venturelli |
Executive Creative Director | Marcelo Vergara |
Texter | Guillaume Sabbagh |
Texter | Corentin Salignat |
Art Director | Corentin Salignat |
Art Director | Guillaume Sabbagh |
Art Director | Marine Badel |
Etatdirektor | Guillaume Foskolos |
Kundenbetreuer | Gaelle Morvan |
Kundenbetreuer | Laurent Enet |
Kundenbetreuer | Margot Zandonella |
Strategieplaner | Didier Tavares |
Digital Manager | Jérôme GOLDMAN |
Digital Manager | Laura Ceylan |
Agency Producer | Nelly Cohen |
Regisseur | Emmanuel le Ber |
Chief Operator | Emmanuel Bernard |
Direktor Fotografie | Emmanuel Bernard |
Produktionsfirma | BIG PRODUCTIONS |
Filmproduzent/Produzent | Pierre Rambaldi |
Produktionsleitung | Nicolas Avram |
Post production director | Natacha Dolard |
Etatdirektor | Vincent Renonciat |
Geschäftsführer | Bertrand Nadeau |
Kundenbetreuer | Barbara Fleury |
Chief Creative Officer | Marco Venturelli |
3. MINI / MINImalism
Titel | MINImalism |
Agentur | HoC Dubai |
Kampagne | Minimalism |
Werbende | BMW |
Marke | MINI |
Datum der ersten Ausstrahlung/Veröffentlichung | 2021 / 6 |
Geschäftsbereich | Kleinwagen |
Story | Since 1959, MINI has stayed true to its roots: a simplistic, iconic design with outstanding longevity that inspires fans to this day. The brand stands for an urban lifestyle with maximum experiences in a minimalistic space. But today’s models offer more than just an efficient and creative way to get around. They are technology-packed with state-of-the-art safety and comfort features. This is well known to MINI drivers, but not so much to people outside of the car’s fanbase. MINImalism – a feature communication built from the iconic MINI logo’s wings. We turn those stripes into versatile design elements to communicate the new features and assistants, as simplistic and iconic as the car itself. The stripes taken from the logo’s wings showcase the car’s new features and assistants – from Adaptive LED Headlights to Park Distance Control – and allow us to build functions and surroundings in a surprising but simple way. This new design language is used across different outdoor and indoor channels where the iconic elements are instantly recognized – creating true MINImalism, as simple and timeless as the car itself. |
Medientyp | Case Study |
Länge | |
Creative Agency | Serviceplan Group |
Creative Agency | Serviceplan Campaign |
Art Director | Kunal Gagwani |
Creative Director | Daniel Steller |
Texter | Daniel Steller |
Geschäftsführender Teilhaber | Leif Johannsen |
Geschäftsführender Teilhaber | Patrick Matthiensen |
Creative Director | Pavel Bondarenko |
Art Director | Pavel Bondarenko |
Head of Art | Michael Wilk |
Geschäftsführender Teilhaber | Lars Holling |
Global Chief Creative Officer | Alexander Schill |
Texter | Philip Ziegler |
Geschäftsführer | Natalie Shardan |
Art Director | Tudor Cucu |
Etatdirektor | Ann-Kathrin Frohloff |
Marketing Director | Jochen Becht |
Marketing Manager | Adnan Dalvi |
Kundenbetreuer | Gonca Gorgulu |
Motion Design | Linus Brandes |
Sounddesigner | Denis Elmaci |
4. Audi e-tron / Don't hate. Imitate
Titel | Don't hate. Imitate |
Brief | Audi Norway’s “Don’t Hate. Imitate.” was a series of online films produced in a humorous response to competitor General Motors’ Super Bowl campaign. GM promoted its electric vehicles with the message “Why does Will Ferrell hate Norway?” Their spots featured Hollywood star Ferrell declaring his hate for Norway. His “hatred” was fueled by the fact that Norway is selling more EVs than any other country. As the best-selling EV-brand in Norway, Audi had to fight back. And, we had to act fast to win the EV-battle of The Super Bowl. Our comeback was produced and launched within just 48 hours of the GM ads, just in time for Super Bowl.Our comeback starred Game of Thrones star and proud Norwegian Kristofer Hivju. We fought back with tailor-made responses with one simple message: Don’t Hate. Imitate.In GMs main ad Ferrell, in his determination to hate Norway, punched a hole in a globe where Norway is located. In our first execution we turned the crushed globe, into the key element of our response to GM and Ferrell. |
Agentur | POL Oslo |
Kampagne | Don't hate. Imitate |
Werbende | Audi |
Marke | Audi e-tron |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 |
Geschäftsbereich | Allradantrieb |
Story | Audi Norway's response to the Super Bowl commercial from General Motors. |
Medientyp | Interaktiv |
Länge | |
Produktionsfirma | Einar Film & Fortellinger |
Schauspieler | Kristofer Hivju |
Creative Director/ art director | Thorbjørn Ruud |
Creative Director, Copywriter | Robert Radoli |
Etatdirektor | Petter Bryde |
Projektmanager | Shirin Pakzamir |
Designer | Ole Jacob Boe Skattum |
Regisseur | Aksel Hennie |
Executive Producer | Guri Neby |
Produzent | Nicoline Helgø |
Werbeleiter | Tommy B. Jensen |
Werbeleiter | Elin Rosnes Sinervo |
Direktor Fotografie | Pål Ulvik Rokseth |
Post-Produktion | Cyril Boije |
Post-Produktion | Ida Fiskerud |
Komponist | Petter Fagelund |
Offline Editor | Magnus Evensen |
5. Chevrolet / Lost Roads
Titel | Lost Roads |
Agentur | Commonwealth/McCann |
Kampagne | Lost Roads |
Werbende | General Motors Corp. |
Marke | Chevrolet |
Posted | JunI 2021 |
Geschäftsbereich | Kraftfahrzeuge |
Story | In Colombia, a territory the size of Portugal belonged to the guerrillas. For almost 60 years you could not go without running the risk of being kidnapped or getting into a combat zone. Although peace was signed almost 5 years ago, Colombians are still afraid to go. So we used Chevrolet SUV’s to show they can handle any terrain, even those filled with dirt roads and bombed-out bridges. And to find out how to get to the different tourist destinations, we used former guerrillas, who today are seeking a new way of life, as tour guides. We went with a filmmaker and a war reporter to document everything in a 23-minute film that was shown on the Discovery Network to prove the world is possible to return to that area of the country, leaving tourist businesses operated by those people who today need a chance at life. |
Medientyp | Branded Content |
Länge | |
Chief Operating Officer (COO) | Grant Theron |
Global Chief Creative Officer | Matt Canzano |
Global CSAO | Diana Caverly |
Director of Creative Operations | Samantha Ankeny |
Business Leader | Samuel Estrada |
Creative Director | Samuel Estrada |
Regional Creative Director | Alejandro Bermudez |
Etatdirektor | Gaëlle Bouletreau |
Texter | David Pantoja |
Texter | Nicolas Prieto |
Content Director | Luis Cortes |
Art Director | Niccolo Alarcon |
6. Volvo / The E.V.A. Initiative
Titel | The E.V.A. Initiative |
Agentur | Forsman & Bodenfors Göteborg |
Kampagne | The E.V.A. Initiative |
Werbende | Volvo |
Marke | Volvo |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 3 |
Geschäftsbereich | Autos |
Story | E.V.A stands for Equal Vehicles for All. Most crash test dummies are modelled on men, meaning that women behind the wheel are often more vulnerable. But since the 1970s Volvo has based its car designs and safety innovations on data from real accidents, involving both men and women, making its vehicles safer for everyone. This data was made public through a digital library, with the aim of making all cars safer. The project had a precedent because Volvo had previously given away its patented seat belt technology. |
Medientyp | Integrated Media/360 Activation |
Länge | |
Markt | Großbritannien |
Soundtrack | “Without You (feat. Kerry Leatham)” |
Mehr Informationen | https://www.volvocars.com/intl/why-volvo/human-innovation/future-of-driving/safety/cars-safe-for-all?utm_source=youtube&utm_medium=social&utm_content=safe_bio-description_16x9&utm_campaign |
Ton | Factory Studios |
Kampagnenmanager | Louise Ahlström |
Texter | Hampus Elfström |
Texter | Simon Lublin |
Texter | Jacob Nelson |
Art Director | Karl Risenfors |
Art Director | Leo Dahl |
Art Director | Adam Ulvegärde |
Art Director | Sophia Lindholm |
Strategieplaner | Trine Keller-Andreasen |
Strategieplaner | Daniel Sjöstrand |
Digitale Strategie | Peter Gaudiano |
Produzent | Lena Sellman |
Account Executive | Katarina Klofsten |
Account Executive | Ewa Edlund |
Web design | F and B Inhouse |
Artwork | Martin Joelsson |
Artwork | Ingrid Arnsand Jonsson |
Account Supervisor | Magnus Wretblad |
Public Relations | Maja Bredberg |
Public Relations | Bjarne Darwall |
Medienagentur | Mindshare Sweden |
Produktionsfirma | NEW LAND Stockholm |
Executive Producer | Erik Torell |
Executive Producer | Therese Engberg |
Regisseur | Laerke Herthoni |
Direktor Fotografie | Rasmus Videbaek |
Produzent | Joel Rostmark |
Cutter | Johan Söderberg |
Dancer | Amy Gardner |
Kolorierung | Framestore |
Color Assist | Simon Bourke |
VFX Supervisor | Joel Lindman |
CG Artist | Laurent Clermont |
Online Artist | Rajdarn Elderado |
Online-Studio | Chimney Pot |
Color Producer | Chris Anthony |
Produzent Post-Produktion | Moa Looft |
VFX Executive Producer | Anton Söderhäll |
VFX PRODUCTION | Goodbye Kansas |
VFX Producer | Linda Öhlund |
VFX Lead | Filip Orrby |
Grad | Framestore |
Darsteller | Lapalux |
Musik | Ninja Tune |
Publishing Rights | Just Isn't Music |
Produzent Ton | Lucy Spong |
Sound Design and Mix | Jon Clarke |
CGI | Superstudios |
7. Volvo XC60 / The Parents
Titel | The Parents |
Agentur | Forsman & Bodenfors Göteborg |
Kampagne | The Parents |
Werbende | Volvo |
Marke | Volvo XC60 |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 / 9 |
Geschäftsbereich | Allradantrieb |
Medientyp | Internet-Film |
Länge | |
Produktionsfirma | New Land |
Art Director | Karl Risenfors |
Art Director | Sophia Lindholm |
Art Director | Leo Dal |
Texter | Hampus Elfström |
Texter | Nicholas Düfke |
Account Supervisor | Magnus Wretblad |
Account Executive | Katarina Klofsten |
Agency Producer | Lena Sellman |
PR Strategist | Bjarne Darwall |
Planner | Daniel Sjöstrand |
Designer | Martin Joelsson |
Web Design | F and B Inhouse |
Regisseur | Niclas Larsson |
Produzent | Joel Rostmark |
Produzent | Adam Holmström |
Direktor Fotografie | Linus Sandgren |
Executive Producer | Sophie Tamm Christensen |
Cutter | Carla Luffe |
Grading/Online | Chimney Pot |
Fotograf | Patrik Johäll |
Komponist | Pete Seeger |
8. Ayax Toyota / The Hy Project
Titel | The Hy Project |
Agentur | The Electric Factory |
Kampagne | The Hy Project |
Werbende | Toyota Motor Corporation |
Marke | Ayax Toyota |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 9 |
Geschäftsbereich | Autos |
Philosophie | We are currently experiencing a worldwide boost and growing interest and activism concerning the issue of the Environment. The reality is that we need to do it. Only if each of us contributes to the cause, will we be able to revert the damages we have caused the Earth over the centuries. In this opportunity, it was Uruguay´s turn to do so, through the Hy Project. The Hy Project is devoted to solving problems caused due to the increase of electric and hybrid cars in cities around the world. There is a requirement that will enter into effect in the European Union as of 2020 (and later in the United States), which requires that these vehicles emit sound as a safety standard, both for pedestrians and for other vehicles. The Hy Project takes on this issue from a different perspective: through the creation of a sound that not only alerts of the presence of a vehicle in the public road but also generates a positive effect on the Environment. But how? Investigations carried out in different universities worldwide have revealed that plants react to the vibrations created by specific frequencies: either by absorbing nutrients, by growing or through the assimilation of solar light. The study of such frequencies has enabled the discovery of a range in which the experiments coincide. After such discovery, our team began working in the creation of the first sound for electric cars that benefits the Environment. The Electric Factory, an innovation group in charge of the project, worked together with Ayax Toyota in both the creation and design of the sound and in devising the necessary technology for its implementation in vehicles. The concept behind the project was that “vehicles, environment polluters since their very origin, may, through the Hy Project, be the ones in charge of slowly reversing this trend”. |
Medientyp | Ambient |
Länge | |
Executive Creative Director | Federico Cibils |
Executive Creative Director | Gustavo Etchandy |
Chief Creative Officer | Juan Ciapessoni |
Art Director | Juan Diego Vispo |
Creative Director | Edu Pou |
Chief Marketing Officer (CMO) | Santiago Tarallo |
President | Alejandro Curcio |
Kreative Technologie | Brian Lorenzo |
Sounddesigner | Guzman Calzada |
Creative Director | Javier Gómez |
Executive Producer | Federico Masini |
9. BMW / The Small Escape
Titel | The Small Escape |
Agentur | Jung von Matt AG |
Kampagne | The Small Escape |
Werbende | BMW |
Marke | BMW |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 10 |
Geschäftsbereich | Kraftfahrzeuge |
Medientyp | Branded Content |
Länge | |
Post-Produktion | Whitehouse Post |
Regisseur | Alex Feil |
Kameramann | Khalid Mohtaseb |
Produktionsfirma | Tempomedia Filmproduktion GmbH |
Executive Creative Director | Thim Wagner |
Cutter | Iain Whitewright |
Produzent | Birgit Damen |
10. Bosch / Drive Like A Bosch
Titel | Drive Like A Bosch |
Agentur | Jung von Matt/Next Alster GmbH |
Kampagne | Like a Bosch |
Werbende | Bosch |
Marke | Bosch |
Datum der ersten Ausstrahlung/Veröffentlichung | 2020 |
Geschäftsbereich | Kraftfahrzeuge |
Medientyp | Interaktiv |
Länge | |
Creative Director | David Leinweber |
Production | CZAR Film Germany |
Geschäftsführender Teilhaber | Andreas Ernst |
Senior Project Manager | Tim Kuphaldt |
Projektmanager | Felix Mindermann |
Junior Art Director | Marie Rothemund |
Executive Producer | Jankel Huppertz |
Regisseur | Ben Callner |
Musik | Nicholas Nowottny |
Musik | White Horse Music |
Titel | Board Tough Turban |
Agentur | Zulu Alpha Kilo |
Kampagne | Tough Turban |
Werbende | Pfaff Harley-Davidson |
Marke | Pfaff Harley-Davidson |
Datum der ersten Ausstrahlung/Veröffentlichung | 2021 / 6 |
Geschäftsbereich | Motorräder |
Story | Turban-wearing Sikh motorcyclists are now exempt from helmet laws in provinces across Canada. For some, this creates a difficult choice between the protection offered by a helmet and the deep significance of a Turban to the Sikh identity. With all the technological advances in the world of protective gear, nobody should have to choose between safety and their identity. With this community of riders in mind, Pfaff Harley-Davidson introduced the first impact resistant turban. Layered with bulletproof composite fabric, foam that hardens on impact and 3D printed armour, the Tough Turban empowers riders to protect who they are. Our open-source designs have been shared online so manufacturers across the world can create similar reinforced turbans for riders in their regions. |
Medientyp | Case Study |
Chief Creative Officer | Zak Mroueh |
Associate Creative Director / Art Director | Vic Bath |
Associate Creative Director/Copywriter | Dan Cummings |
Design Director | Jeff Watkins |
Designer | Rasna Jaswal |
Agency Producer | Kathryn Brown |
Agency Producer | Laura Dubcovsky |
Account Management Team | Matt Sinuita |
Account Management Team | Rob Feightner |
Account Management Team | Allison-Diaz Mercado |
Account Management Team | David Trembley |
Strategy Team | Shaunagh Farrelly |
Strategy Team | Spencer MacEachern |
Werbeleiter | Melanie Somerville |
Werbeleiter | Brandon Durmann |
Produktdesign | Sparks Innovation |
Produktionsfirma | Zulubot |
Executive Producer | Tom Evans |
Herstellungsleiter | Colleen Allen |
Regisseur | Barbara Shearer |
Direktor Fotografie | James Arthurs |
Motion Graphics | Ashlee Mitchell |
Illustrator | Nabil Elsaadi |
Audioingenieur | Dino Cuzzolino |
Web-Designer | Jacqui Lau |
Web-Designer | Kesia Payne |
Fotograf | Dan Lim |
Online Artist | Felipe Chaparro |
Produktionsleitung | Adam Palmer |
Agency | Zulu Alpha Kilo |
Chief Creative Officer | Zak Mroueh |
Creative Director | Zak Mroueh |
Head of Design | Stephanie Yung |
ACD Art Director | Vic Bath |
ACD Writer | Dan Cummings |
Designer | Jeff Watkins |
Agency Producer | Laura Dubcovsky, Kathryn Brown |
Account Team | Rob Feightner, Matt Sinuita, David Tremblay, Karla Ramirez, Allison Diaz Mercado |
Strategy Team | Spencer MacEachern, Shaunagh Farrelly |
Client | Pfaff Harley-Davidson |
Client | Brandon Durmann, Melanie Somerville |
Product Design | Sparks Innovation |
Production House | Zulubot |
Executive Producer | Tom Evans |
Line Producer | Colleen Allen |
Director | Barbara Shearer |
Editor | Jessie Posthumus |
Motion Graphics | Ashlee Mitchell |
Illustrator | Nabil Elsaadi, Rasna Jaswal |
Audio Engineer | Dino Cuzzolino |
Web Design | Jacqui Lau, Kesia Payne |
Photographers | The Moto Foto | Dan Lim, Raina + Wilson | Fuze Reps. |
Online Artist | Felipe Chaparro |
Head of Production | Adam Palmer |
PR Team | Jacki Nelson Shilletto | Nelson Connects, Andrew Findlater | Select PR |
12. Tough Turban / Tough Turban
Titel | Tough Turban |
Brief | Turban-wearing Sikh motorcyclists are now exempt from helmet laws in provinces across Canada. For some, this creates a difficult choice between the protection offered by a helmet and the deep significance of a Turban to the Sikh identity. With all the technological advances in the world of protective gear, nobody should have to choose between safety and their identity. With this community of riders in mind, Pfaff Harley-Davidson introduced the first impact resistant turban. Layered with bulletproof composite fabric, foam that hardens on impact and 3D printed armour, the Tough Turban empowers riders to protect who they are. Our open-source designs have been shared online so manufacturers across the world can create similar reinforced turbans for riders in their regions. |
Agentur | Zulu Alpha Kilo |
Kampagne | Tough Turban |
Werbende | Pfaff Harley-Davidson |
Marke | Tough Turban |
Datum der ersten Ausstrahlung/Veröffentlichung | 2021 / 6 |
Geschäftsbereich | Kraftfahrzeuge |
Story | Since 1903, riders have expressed their identity with a Harley-Davidson. And for some riders, there's no act of self-expression more important than tying a turban. Inspired by the recent helmet-law exemption for Sikh motorcyclists in Ontario, Pfaff Harley-Davidson commissioned a new turban designed with three layers of protection – foam that hardens on impact, bulletproof composite fabrics and 3D printed armor. The designs have been open-sourced so any manufacturers can create tough turbans for riders around the world. |
Medientyp | Produktdesign/Entwicklung |
Länge | |
Mehr Informationen | www.toughturban.com |
Agentur | Zulu Alpha Kilo |
Chief Creative Officer | Zak Mroueh |
Associate Creative Director / Art Director | Vic Bath |
Associate Creative Director/Copywriter | Dan Cummings |
Design Director | Jeff Watkins |
Designer | Rasna Jaswal |
Agency Producer | Kathryn Brown |
Agency Producer | Laura Dubcovsky |
Account Management Team | Matt Sinuita |
Account Management Team | Rob Feightner |
Account Management Team | Allison-Diaz Mercado |
Account Management Team | David Trembley |
Strategy Team | Shaunagh Farrelly |
Strategy Team | Spencer MacEachern |
Werbeleiter | Melanie Somerville |
Werbeleiter | Brandon Durmann |
Produktdesign | Sparks Innovation |
Produktionsfirma | Zulubot |
Executive Producer | Tom Evans |
Herstellungsleiter | Colleen Allen |
Regisseur | Barbara Shearer |
Direktor Fotografie | James Arthurs |
Motion Graphics | Ashlee Mitchell |
Illustrator | Nabil Elsaadi |
Audioingenieur | Dino Cuzzolino |
Web-Designer | Jacqui Lau |
Web-Designer | Kesia Payne |
Fotograf | Dan Lim |
Online Artist | Felipe Chaparro |
Produktionsleitung | Adam Palmer |
13. Volvo / Volvo – Lifesaver
Titel | Volvo – Lifesaver |
Brief | We decided to train and equip Volvo drivers with AED’s, connecting their Volvos to the national call system for resuscitation.Volvo drivers are registered as civilian first responders. Emergency calls are automatically sent to the car via Volvo On Call. The driver can navigate directly to the victim. With a modest budget and a target of 25, an astonishing 200 enlisted in the first two weeks. The project exceeded expectations by nearly a thousand percent, making national and international headlines. |
Agentur | Ogilvy Social.Lab Netherlands |
Kampagne | Volvo – Lifesaver |
Werbende | Volvo |
Marke | Volvo |
Datum der ersten Ausstrahlung/Veröffentlichung | 2019 / 11 |
Geschäftsbereich | Autos |
Story | With a cardiac arrest the first six minutes are crucial. But on average ambulances take nine minutes. The concept: equip Volvos with an AED, train drivers on resuscitation and contribute to a better spread of AEDs and thus chances of survival. |
Medientyp | Digitale Installationen |
Länge | |
Produktionsfirma | Smarthouse Films |
Executive Creative Director | Tolga Buyukdoganay |
Executive Creative Director | Michael Jansen |
Creative Teammitglied | Rens Quirijnen |
Creative Teammitglied | Stephan Gonnissen |
Creative Director | Gijs Sluijters |
Creative Director | Joris Tol |
Design Lead | Paul Duijser |
Titel | Abandoned Stations 2 |
Agentur | Cheil Hong Kong |
Kampagne | Abandoned Stations |
Werbende | Volkswagen |
Marke | Volkswagen |
Posted | März 2022 |
Geschäftsbereich | Autos |
Slogan | The all electric ID. range is here |
Medientyp | Außenwerbung |
Art Director | Ivan Au |
Art Director | Kevin Cheung |
Texter | Paul Chan |
Texter | Lili Jiang |
Texter | Tatiana Le |
Chief Creative Officer | Paul Chan |
Group Creative Director | Lili Jiang |
Fotograf | Ralph Gräf |
Stellvertretender Creative Director | Ivan Au |
Stellvertretender Creative Director | Kevin Cheung |
Titel | Abandoned Stations 1 |
Agentur | Cheil Hong Kong |
Kampagne | Abandoned Stations |
Werbende | Volkswagen |
Marke | Volkswagen |
Posted | JunI 2021 |
Geschäftsbereich | Autos |
Slogan | The all electric ID. range is here |
Medientyp | Außenwerbung |
Art Director | Ivan Au |
Art Director | Kevin Cheung |
Texter | Paul Chan |
Texter | Lili Jiang |
Texter | Tatiana Le |
Chief Creative Officer | Paul Chan |
Group Creative Director | Lili Jiang |
Fotograf | Ralph Gräf |
Stellvertretender Creative Director | Ivan Au |
Stellvertretender Creative Director | Kevin Cheung |
Titel | ADAPTIVELEDHEADLIGHTS |
Agentur | HoC Dubai |
Kampagne | Minimalism |
Werbende | BMW |
Marke | MINI |
Datum der ersten Ausstrahlung/Veröffentlichung | 2021 / 6 |
Geschäftsbereich | Kleinwagen |
Story | Since 1959, MINI has stayed true to its roots: a simplistic, iconic design with outstanding longevity that inspires fans to this day. The brand stands for an urban lifestyle with maximum experiences in a minimalistic space. But today’s models offer more than just an efficient and creative way to get around. They are technology-packed with state-of-the-art safety and comfort features. This is well known to MINI drivers, but not so much to people outside of the car’s fanbase. MINImalism – a feature communication built from the iconic MINI logo’s wings. We turn those stripes into versatile design elements to communicate the new features and assistants, as simplistic and iconic as the car itself. The stripes taken from the logo’s wings showcase the car’s new features and assistants – from Adaptive LED Headlights to Park Distance Control – and allow us to build functions and surroundings in a surprising but simple way. This new design language is used across different outdoor and indoor channels where the iconic elements are instantly recognized – creating true MINImalism, as simple and timeless as the car itself. |
Medientyp | Außenwerbung |
Creative Agency | Serviceplan Group |
Marketing Director | Jochen Becht |
Marketing Manager | Adnan Dalvi |
Creative Agency | Serviceplan Campaign |
Geschäftsführer | Natalie Shardan |
Art Director | Kunal Gagwani |
Kundenbetreuer | Gonca Gorgulu |
Geschäftsführender Teilhaber | Leif Johannsen |
Geschäftsführender Teilhaber | Patrick Matthiensen |
Geschäftsführender Teilhaber | Lars Holling |
Creative Director | Pavel Bondarenko |
Art Director | Pavel Bondarenko |
Creative Director | Daniel Steller |
Texter | Daniel Steller |
Etatdirektor | Ann-Kathrin Frohloff |
Global Chief Creative Officer | Alexander Schill |
Head of Art | Michael Wilk |
Art Director | Tudor Cucu |
Texter | Philip Ziegler |
Titel | PARKDISTANCECONTROL |
Agentur | HoC Dubai |
Kampagne | Minimalism |
Werbende | BMW |
Marke | MINI |
Datum der ersten Ausstrahlung/Veröffentlichung | 2021 / 6 |
Geschäftsbereich | Kleinwagen |
Story | Since 1959, MINI has stayed true to its roots: a simplistic, iconic design with outstanding longevity that inspires fans to this day. The brand stands for an urban lifestyle with maximum experiences in a minimalistic space. But today’s models offer more than just an efficient and creative way to get around. They are technology-packed with state-of-the-art safety and comfort features. This is well known to MINI drivers, but not so much to people outside of the car’s fanbase. MINImalism – a feature communication built from the iconic MINI logo’s wings. We turn those stripes into versatile design elements to communicate the new features and assistants, as simplistic and iconic as the car itself. The stripes taken from the logo’s wings showcase the car’s new features and assistants – from Adaptive LED Headlights to Park Distance Control – and allow us to build functions and surroundings in a surprising but simple way. This new design language is used across different outdoor and indoor channels where the iconic elements are instantly recognized – creating true MINImalism, as simple and timeless as the car itself. |
Medientyp | Außenwerbung |
Creative Agency | Serviceplan Group |
Marketing Director | Jochen Becht |
Marketing Manager | Adnan Dalvi |
Creative Agency | Serviceplan Campaign |
Geschäftsführer | Natalie Shardan |
Art Director | Kunal Gagwani |
Kundenbetreuer | Gonca Gorgulu |
Geschäftsführender Teilhaber | Leif Johannsen |
Geschäftsführender Teilhaber | Patrick Matthiensen |
Geschäftsführender Teilhaber | Lars Holling |
Creative Director | Pavel Bondarenko |
Art Director | Pavel Bondarenko |
Creative Director | Daniel Steller |
Texter | Daniel Steller |
Etatdirektor | Ann-Kathrin Frohloff |
Global Chief Creative Officer | Alexander Schill |
Head of Art | Michael Wilk |
Art Director | Tudor Cucu |
Texter | Philip Ziegler |